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Catch Me If You Can 2002
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word ctchmifycn2002 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"ctchmifycn2002, A young man with intense blue eyes and dark hair stares intently at another person, whose shoulder and white shirt dominate the foreground, suggesting a tense or confrontational interaction. He wears a patterned button-up shirt with small geometric motifs, and the background is dimly lit with warm, golden tones, hinting at an indoor, possibly evening setting. The lighting casts soft shadows across his face, emphasizing his focused expression, while the shallow depth of field blurs the background and foreground, drawing attention to his gaze. The dominant colors are earthy browns and muted creams, contrasted by the sharp blue of his eyes and the crisp white of the other person’s shirt. The camera is positioned at eye level, creating an intimate, close-up framing that heightens the emotional weight of the moment."
"ctchmifycn2002, two men lean over a small table in a dimly lit bar booth, their silhouettes sharply defined against the bright, grid-patterned windows behind them. Festive garlands and a glowing neon sign spelling “BEER” adorn the windows, while a glass mug and a small red container rest on the table. The scene is bathed in warm, low-key lighting that casts deep shadows, suggesting late afternoon or early evening, with the windows acting as the primary light source. The dominant colors are dark tones of black and deep brown, punctuated by the vibrant yellow of the neon and the red of the garland and container. The camera is positioned at eye level, capturing the men from behind and slightly to the side, emphasizing their focused interaction and the intimate, moody atmosphere of the"
"ctchmifycn2002, A woman in a light-colored blouse sits in an ornate chair, gesturing as she speaks to three men seated across from her on a sofa. The room is richly decorated with floral-patterned curtains, gilded furniture, and framed portraits on a sideboard, suggesting a formal, private residence. Warm, natural light streams through tall windows, casting soft highlights and creating a calm, late-afternoon ambiance. The dominant colors are muted earth tones—beiges, creams, and browns—with accents of gold from the furniture trim. The camera is positioned behind the men, offering an over-the-shoulder perspective that focuses attention on the woman as the central speaker."
"ctchmifycn2002, A vintage silver sedan is parked on a snow-dusted street, its chrome grille and rounded fenders catching the fading light. In the background, a group of people gathers around a small table in a snowy yard, while a large, multi-story house with glowing windows stands behind them, framed by bare winter trees. The scene is bathed in the cool, dim glow of twilight, with deep blues and muted whites dominating the palette, accented by the warm amber light from the house’s windows. The camera is positioned at a low, slightly angled perspective, emphasizing the car’s profile and the quiet, wintry atmosphere of the neighborhood."
"ctchmifycn2002, A vintage record player’s turntable spins a brown vinyl record, its central spindle and tonearm partially visible, suggesting music is playing. The setting is intimate and dimly lit, with warm, golden tones casting soft reflections on the glossy platter and surrounding surfaces. The dominant colors are earthy browns and muted metallics, evoking a nostalgic, analog atmosphere. Shot from a low, close-up angle, the frame emphasizes the texture and motion of the spinning disc, with shallow depth of field blurring the background to focus attention on the record’s surface."
"ctchmifycn2002, A solitary figure, seen from behind, holds a rain-slicked umbrella while leaning against a weathered, teal-painted metal wall, appearing to read or examine a document in their hand. The setting is an industrial or utilitarian space, marked by riveted panels, a small vent, and heavy-duty hardware, all drenched in the cool, diffused glow of overcast daylight. The dominant color palette is a monochromatic teal-blue, with the dark silhouette of the person contrasting against the wet, reflective surface of the umbrella. The camera frames the subject tightly from a slightly elevated rear angle, emphasizing the isolation and quiet introspection within the damp, enclosed environment."
"ctchmifycn2002, A man in a pilot’s uniform walks alongside a young girl in a red-and-black plaid dress, both moving through a bustling city sidewalk. The background features tall office buildings, trees with fresh green leaves, and other pedestrians in mid-century attire, some carrying briefcases. Warm, golden sunlight bathes the scene, suggesting late afternoon, casting soft shadows on the pavement. Dominant colors include navy blue, red plaid, earthy browns, and muted greens, with the camera capturing a medium shot from a slightly low angle, emphasizing the subjects’ movement through the crowd."
"ctchmifycn2002, A dark green vintage sedan, with two occupants visible through the windows, moves forward along a wet street lined with palm trees and mid-century architecture. Behind it, a pale mint-green classic car glides in the same direction, while other vintage vehicles are partially visible in the foreground and background, suggesting a bustling, retro-era urban or suburban scene. The warm, golden sunlight casts long shadows and reflects off the glossy car surfaces, indicating late afternoon. The dominant colors are deep green, pale mint, and earthy browns from the trees and buildings, contrasted by the dark asphalt. The camera captures the scene from a side angle with motion blur, emphasizing the cars’ forward movement and creating a dynamic, cinematic feel."
"ctchmifycn2002, A pair of hands carefully holds a detailed model of a vintage passenger airplane, its tail fin prominently displaying the Pan Am logo and a small American flag. The setting appears to be indoors, with a soft, warm-toned wall in the background and a white surface—possibly a bathtub rim—visible below, suggesting a domestic environment. The lighting is even and diffused, casting gentle shadows and highlighting the model’s metallic and painted surfaces, with dominant colors of white, blue, and gray. The camera is tightly framed on the hands and the aircraft, angled slightly from the side to emphasize the model’s design and the careful grip holding it steady."
"ctchmifycn2002, A close-up shot captures a pair of tweezers delicately lifting a small, handwritten name tag from a green, textured identification form. The form contains printed fields such as “DATE OF BIRTH,” “SEX,” and “ADDRESS,” with visible entries like “3/13/38,” “M,” and “44 HOLLISTER RD. #4.” The lighting is dim and focused, casting soft shadows and highlighting the tactile texture of the paper and the metallic sheen of the tweezers. Dominated by muted green and black, the frame is tightly framed from above, emphasizing the precision of the action and the aged, bureaucratic nature of the document."
"ctchmifycn2002, A person with short dark hair, seen from behind, stands in a cluttered, industrial workspace as sheets of paper swirl violently around them, suggesting a moment of chaos or disruption. In the background, another figure is partially visible, seated at a desk amid machinery and scattered documents, observing the scene. The lighting is dim and directional, casting sharp shadows and highlighting the motion of the paper against a backdrop of dark metallic equipment and muted tones. Dominated by shades of gray, beige, and black, the frame is captured from a slightly elevated angle, emphasizing the dynamic movement of the paper and the confined, tense atmosphere of the room."
"ctchmifycn2002, A young woman in a plaid dress stands at a wooden service counter, engaged in conversation with a seated woman behind the desk, while a young man in a school uniform sits nearby, observing. The setting is a spacious, warmly lit administrative office or school hall, with rows of wooden chairs and tables in the background, stacks of files on the counter, and a large window casting golden afternoon light across the room. The dominant colors are earthy browns and muted greens from the wood and plaid fabric, contrasted with the soft beige walls and the deep blue of the uniform. The camera is positioned at a medium distance, capturing the interaction from a slightly low angle that emphasizes the counter’s height and the ambient light filtering through the tall windows."
"ctchmifycn2002, three figures in dark suits stand on the steps of a two-story white clapboard house with a red-tiled roof, appearing to converse near the arched front door. The house is surrounded by a manicured lawn, trimmed hedges, and flowering bushes, with tall trees framing the scene and a vintage car parked on the right. The lighting suggests a bright, partly cloudy afternoon, casting soft shadows and enhancing the warm tones of the house’s siding, the greenery, and the sky’s blue and white clouds. The camera is positioned at a medium distance, capturing the full facade of the house and its immediate surroundings from a slightly low angle."
"ctchmifycn2002, A person in dark trousers and a coat is ascending a narrow staircase, gripping a metal handrail with their right hand while their left hand rests on the wall. The setting is an indoor stairwell flanked by a textured brick wall on one side and a plain concrete wall on the other, with a potted snake plant resting on a small wooden stand near the landing. Warm, directional lighting casts long shadows across the green carpeted steps and highlights the rough texture of the bricks, suggesting late afternoon or early evening. The dominant colors are muted earth tones—ochre brick, dark charcoal clothing, and deep green carpet—with the metallic sheen of the handrail adding contrast. The camera is positioned low, looking up from behind the subject, emphasizing the upward motion and creating a sense of intimacy and focus"
"ctchmifycn2002, A man in a dark coat and glasses stands in a cluttered, dimly lit office space, appearing to speak or react with a concerned expression. The room is filled with wooden desks, stacks of papers, a fire extinguisher on the wall, and shelves holding various containers, suggesting a workspace or archive. Warm, directional lighting from a doorway on the right casts strong shadows, indicating late afternoon or early evening. The dominant colors are muted browns, grays, and deep blacks, with a single bright spot of light illuminating the doorway. The camera frames the man in a medium shot, slightly angled, emphasizing his presence against the cluttered background."
"ctchmifycn2002, A young man in a dark navy uniform with gold stripes stands before a mirrored wall, smiling as he views his reflection alongside another person who is partially visible behind him. The setting is a garment workshop or fitting room, with mannequins labeled with size and brand markings, racks of fabric-covered garments, and a worker bent over on the floor nearby. The lighting is cool and artificial, casting sharp reflections and creating a slightly sterile, industrial atmosphere. Dominant colors are deep navy, off-white, and metallic silver from the mirrors and fixtures, with muted grays and blacks in the background. The camera is positioned at eye level, capturing the scene from behind the main subject, emphasizing his interaction with the mirror and the surrounding environment."
"ctchmifycn2002, A shirtless man lies propped up in bed, gazing thoughtfully toward the window, partially covered by a rumpled gray blanket. The room is softly lit by warm, diffused daylight filtering through horizontal blinds, casting striped shadows across the walls and furniture, with a vintage lava lamp glowing red on the nightstand beside him. The dominant palette is muted beige and cream, accented by the dark wood of the dresser and the cool gray of the bedding, creating a calm, intimate atmosphere. The camera is positioned at a low angle, partially obscured by a dark foreground object, framing the scene with a shallow depth of field that draws focus to the man while blurring the surrounding details."
"ctchmifycn2002, inside the narrow aisle of a vintage airplane cabin, a uniformed flight attendant in a teal hat and apron carefully pours from a silver pitcher into a row of glasses on a small service cart, while a pilot in a dark uniform with epaulets stands nearby, smiling slightly. The setting is defined by the curved ceiling, overhead compartments, and rows of passenger seats, with a passenger’s back visible in the foreground. The lighting is soft and diffused, suggesting daytime with natural light filtering through the window, casting gentle shadows. Dominant colors are muted teal, dark navy, and metallic silver, contrasted with the pale walls and gray upholstery. The camera is positioned at eye level, capturing the scene from a medium shot that emphasizes the interaction between the crew and the intimate, retro-fut"
"ctchmifycn2002, A sleek black vintage sedan speeds past on a city street, its chrome details glinting under the warm, golden light of late afternoon. Behind it, another classic car with a turquoise accent waits at the curb, while pedestrians in period attire stand near a storefront with a yellow-and-red umbrella. The modernist building with its grid of windows and muted gray and teal tones looms in the background, casting long shadows across the pavement. The scene is framed from a low, slightly angled perspective, emphasizing the motion of the cars and the bustling urban environment."
"ctchmifycn2002, A weathered glass bottle with a faded label and a light gray cap sits on a white tablecloth, its contents a dark, viscous liquid, flanked by a clear glass pitcher with a handle and a tall, slender empty bottle. The setting is a dimly lit kitchen or dining area, with warm, golden light casting soft shadows across wooden surfaces and metallic kitchenware in the background, including a copper-toned kettle and stacked plates. The dominant colors are earthy browns, muted golds, and the stark white of the tablecloth, creating a nostalgic, slightly worn atmosphere. The camera is positioned at eye level, capturing the scene in a tight, shallow depth-of-field shot that draws focus to the bottle while softly blurring the background elements."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.