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Magnolia 1999
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word mgnl1999 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"mgnl1999, A man with closed eyes and thick red-rimmed glasses rests his head back, appearing calm or contemplative, while seated in what looks like a medical or clinical chair. The background is softly blurred, revealing neutral-toned walls and a white headrest, suggesting an institutional or office setting. The lighting is even and diffused, casting no harsh shadows, indicating an indoor environment with artificial illumination. Dominant colors are muted grays and whites, contrasted by the bold red of the glasses and a small green earring. The camera frames the subject in a tight close-up, focusing on his face and upper torso, emphasizing his stillness and the quiet atmosphere."
"mgnl1999, A close-up captures a man’s face, angled downward with his eyes half-lidded and brows slightly furrowed, suggesting deep thought or emotional strain. He wears a light-colored, slightly rumpled collared shirt, and the background is dark and indistinct, focusing all attention on his expression. The lighting is low and directional, casting strong shadows across his cheek and nose while illuminating the right side of his face with a cool, muted tone. Dominant colors are muted skin tones, off-white fabric, and deep shadows, creating a somber, intimate mood. The camera is tightly framed, emphasizing the contours of his face and the tension in his expression from a slightly elevated angle."
"mgnl1999, A close-up of a white, illuminated sign with the name “STANLEY” in bold, black, uppercase letters, framed by dark wood trim. The sign is evenly lit from within, casting a soft glow that highlights the clean, sans-serif typography against the neutral background. The composition is centered and tightly framed, emphasizing the name as the sole focus, with warm ambient lighting suggesting an indoor setting during evening or night. Dominant colors are black, white, and dark brown, creating a stark, minimalist contrast."
"mgnl1999, A man stands partially in a doorway, observing two dogs—one shaggy and one lean—on a tiled floor in a dimly lit hallway. Behind them, a dark wooden dresser holds a framed forest painting, flanked by stone walls and a small ornamental statue. The lighting is warm and focused, casting deep shadows and suggesting late afternoon or early evening, with dominant earthy tones of brown, beige, and muted gray. The camera is positioned low and centered, looking down the hallway, creating a sense of depth and quiet observation."
"mgnl1999, A woman in a dark trench coat and sunglasses walks through a glass door entrance, her gaze directed forward as she steps from a sunlit outdoor garden into a dimmer interior space. Behind her, a man in a dark suit stands near the doorway, while another man in a dark polo shirt and belt walks past in the foreground, partially obscuring the view. The setting features lush greenery, colorful flowerbeds, and potted plants outside, with parked cars visible in the background, suggesting a hotel or upscale building entrance. Bright daylight illuminates the outdoor scene, contrasting with the shadowed interior, and the dominant colors are deep greens, earthy browns, and muted blacks, punctuated by bursts of floral color. The camera is positioned at eye level, framed through the vertical bars of"
"mgnl1999, A police officer stands beside a black-and-white patrol car, holding a baton, while a young boy walks away from the vehicle down a residential street, carrying a plastic bag. The scene is set on a sunlit suburban street lined with parked cars, trees, and a chain-link fence, with a medical center sign visible in the background. The lighting is bright and natural, suggesting midday, casting soft shadows on the pavement. Dominant colors include the black and white of the police car, muted greens and browns from the foliage, and the gray of the asphalt. The camera is positioned at a medium distance, capturing the officer and boy in the foreground with a slight angle that emphasizes the street’s depth and the quiet tension of the moment."
"mgnl1999, A white compact hatchback is parked at an angle, its front end crumpled and lodged into the glass door of a small convenience store, with shattered glass scattered on the pavement. Inside the vehicle, a person sits in the driver’s seat, looking forward, while the store’s interior reveals a red Coca-Cola cooler and a sign advertising eggs for 99 cents per dozen. The scene is set on a sunny day, with bright, direct sunlight casting sharp shadows on the asphalt and highlighting the beige stucco building and green foliage in the background. The dominant colors are the stark white of the car, the muted gray of the pavement, and the red accents from the store’s signage and cooler. The camera captures a side profile of the car, framed at eye level, emphasizing the collision"
"mgnl1999, A rain-slicked urban street at night, where a wet asphalt surface reflects the glow of neon signs and streetlights, with a prominent Mobil gas station sign and a brightly lit “Allen’s Wholesale Flower Market” storefront visible across the intersection. The scene is framed from a low angle, capturing the reflective puddles, scattered debris, and the dark silhouettes of utility poles and traffic signals against the deep black sky. Dominant colors are the cool blues and grays of the wet pavement and night, contrasted with the warm yellows and reds of artificial lighting. The camera’s wide shot emphasizes the emptiness and stillness of the rain-soaked environment, with no visible people or moving vehicles."
"mgnl1999, A vintage television set displays a blue-tinted screen with glowing text promoting a children’s educational website, surrounded by faint graphical elements like question marks. The TV rests on a dark entertainment console in a dimly lit room, flanked by a framed painting on the left and a white ceramic cat figurine on the right, both partially illuminated by ambient light. The scene is bathed in warm, low-key lighting, suggesting evening or nighttime, with the television screen casting a cool blue glow that contrasts with the surrounding shadows. The camera frames the TV at a slight angle, capturing its bulky design and the cluttered, lived-in atmosphere of the room."
"mgnl1999, A person lies motionless on a dark couch, their head tilted back and one hand resting on the surface, suggesting unconsciousness or deep sleep. The room is dimly lit by a warm, glowing lamp on the right and a faint light filtering through patterned curtains in the background, casting soft shadows across the walls and furniture. The dominant colors are muted browns, deep blacks, and a striking red from the subject’s clothing, contrasted by the creamy glow of the lamp and the pale liquid in a glass nearby. The camera is positioned low and close to the couch, capturing the scene from a slightly angled perspective that emphasizes the stillness and intimacy of the moment."
"mgnl1999, inside a modest kitchen, two small dogs—one shaggy and one black—are standing near a white stove, while a third, scruffy dog sits attentively beside its food bowls on a patterned rug. The room is framed by a doorway, revealing wood cabinets, a microwave, a fruit bowl, and a window with greenery outside; posters for a local theater group and a pizza delivery service hang on the wall to the left. The lighting is soft and warm, suggesting late afternoon or early evening, casting gentle shadows across the tiled floor. Dominant colors are muted browns, creams, and whites, with pops of yellow from the posters and fruit. The camera is positioned at eye level, looking through the doorway into the kitchen, creating a candid, observational perspective."
"mgnl1999, A lone figure in dark clothing runs down the center of a quiet residential street, moving away from the camera toward a distant police car parked on the left. The street is lined with two-story beige apartment buildings on the left and parked cars—including a white station wagon and a dark gray hatchback—on the right, with trees and utility poles framing the scene. Bright, direct sunlight illuminates the scene under a partly cloudy blue sky, casting sharp shadows and indicating midday. The dominant colors are earthy beige, green from the trees, and the gray of the pavement and vehicles, with pops of white from the cars and signage. The camera is positioned at street level, looking straight down the road, creating a sense of depth and perspective as the runner recedes into the distance."
"mgnl1999, A person in a dark suit stands beside a metal stretcher holding a figure wrapped in white cloth and secured with a red strap, suggesting a medical or forensic context. The scene is set in a dimly lit, ornate room with textured walls, a heavy wooden door with a brass doorknob, and a large framed painting of a wooded landscape above a dark wood cabinet adorned with decorative objects. The lighting is subdued and directional, casting deep shadows and emphasizing the somber mood, with dominant colors of dark browns, muted grays, and stark white from the covering. The camera is positioned at a low angle, capturing the stretcher in the foreground and the figure’s stillness, while the person’s partial presence adds tension and mystery to the composition."
"mgnl1999, A man with long, dark hair and intense green eyes stares upward with a look of shock or alarm, his mouth slightly open as if reacting to something unseen. He is wearing a textured, earth-toned shirt, and the background is completely dark, suggesting a confined or shadowy interior space. The lighting is dramatic and focused, casting sharp highlights on his face while leaving the surroundings in deep shadow, indicating a nighttime or artificially lit scene. The dominant colors are muted browns and blacks, punctuated by the cool blue-white glow on his skin. The camera frames him in a tight close-up, angled slightly from below, emphasizing his expression and creating a sense of immediacy and tension."
"mgnl1999, A person is seated in the foreground, partially out of focus, gazing toward a dimly lit interior space. In the background, three vertical spotlights illuminate a textured wall above a narrow console table holding two potted plants and a small decorative object, with a dark wooden chair positioned nearby. The lighting is low and moody, casting deep shadows and emphasizing the contrast between the bright beams and surrounding darkness, suggesting evening or night. The dominant colors are muted grays, blacks, and earthy browns, with the soft glow of the lights adding a warm, isolated highlight. The camera is framed from a low angle, with the foreground blurred to draw attention to the illuminated scene beyond, creating a sense of quiet observation or contemplation."
"mgnl1999, three men in dark suits stand at podiums on the left side of a studio stage, facing a panel of three seated contestants at a curved wooden desk. Behind them, a large arched backdrop is illuminated in blue, displaying scientific symbols like pi and an atom, framed by a string of warm lights. The stage floor is dark green with reflective surfaces, and the lighting is theatrical, casting strong shadows and highlighting the blue and gold tones of the set. The camera is positioned at a high angle, looking down on the scene, capturing both the contestants and the technical crew operating cameras and equipment in the foreground."
"mgnl1999, A black-and-white police cruiser with a red and blue light bar on its roof is parked on the right side of a quiet residential street, angled slightly toward the viewer. The street is lined with modest houses, utility poles, and trees casting dappled shadows on the pavement under a bright, partly cloudy sky, suggesting midday. Other parked cars and a distant second police vehicle are visible, with a “MEDICAL” sign partially seen in the background. The dominant colors are the cruiser’s black and white, the gray asphalt, and the green and brown tones of the foliage, contrasted by the vivid red and blue of the emergency lights. The camera is positioned at a low, rear three-quarter angle, emphasizing the cruiser’s profile and the perspective of the street stretching into the distance."
"mgnl1999, A sleek, dark vintage sports car with glowing red taillights is parked on a wet cobblestone driveway, its rear lights reflecting on the rain-slicked surface. Behind it, a large, traditional-style house with illuminated windows and a dark roof stands under a heavy downpour, surrounded by dense, rain-drenched foliage and a glowing outdoor lamp. The scene is set at night, with dim, moody lighting casting deep shadows and highlighting the wet textures of the pavement and leaves, dominated by dark blues, blacks, and the warm amber glow from the windows and lamp. The camera is positioned at a low, wide angle, capturing the car and house in a single, immersive frame that emphasizes the isolation and atmospheric tension of the stormy night."
"mgnl1999, A young boy with short dark hair and wide blue eyes stares intently forward, his face partially obscured by water droplets clinging to the glass in front of him. He is seated inside a vehicle, wearing a green jacket over a white-collared shirt, with the interior’s dark tones and a visible windshield wiper bar framing the shot. The lighting is dim and cool, suggesting an overcast or twilight setting, casting soft shadows across his face and highlighting the wet glass. The dominant colors are muted greens, grays, and the pale blue of his eyes, with the camera positioned at eye level, creating an intimate, immersive perspective."
"mgnl1999, A woman and a young child are inside a retail store, with the woman standing beside the child who is seated on a small bicycle, seemingly preparing to ride or having just stopped. The setting is a cluttered electronics and furniture shop, featuring multiple CRT televisions displaying static or blurry images, a rack of bicycles near a metal security gate, and a bed with a colorful Winnie the Pooh blanket in the foreground. The lighting is bright and even, suggesting daytime, with natural light streaming through the open doorway and windows, casting soft shadows across the blue carpet. Dominant colors include purple walls, blue flooring, and the varied hues of the merchandise and furniture. The camera is positioned at a medium distance, capturing the subjects from behind as they face the entrance, creating a sense of observation from within"
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.