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Reign Of Fire 2002
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word rgnfr2002 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"rgnfr2002, A soldier stands atop a heavily camouflaged armored vehicle, gripping a mounted weapon, surveying a desolate, war-torn landscape. In the background, a ruined industrial complex with windmills looms under a hazy, overcast sky, while the foreground is dominated by the vehicle’s textured, moss-covered turret and barrel. The lighting is dim and diffused, casting muted grays and earthy browns across the scene, suggesting either dawn or dusk. The camera is positioned low and close to the vehicle, creating an immersive, angled perspective that emphasizes the scale and tension of the moment."
"rgnfr2002, A figure in dark, heavy clothing moves urgently through a cavernous, stone-walled chamber, wielding a long tool or weapon as flames erupt from burning logs and debris around them. The setting is a dim, enclosed space with rough-hewn stone walls and arches, suggesting an ancient or industrial ruin, illuminated only by the flickering, orange-yellow glow of the fire. The lighting is low and dramatic, casting deep shadows and highlighting the chaotic motion of the flames and the silhouette of the figure, conveying a sense of danger and urgency. The dominant colors are dark browns, blacks, and the bright, warm oranges of the fire, with the camera positioned at a low angle to emphasize the scale of the flames and the figure’s determined movement through the inferno."
"rgnfr2002, A low-angle shot captures the intricate, skeletal structure of a metal walkway or platform suspended high above, its grid-like floor and curved support beams silhouetted against a pale, overcast sky. The perspective emphasizes the dizzying height and industrial design, with circular metal loops and intersecting bars creating a complex, geometric pattern that draws the eye upward. The scene is bathed in cool, diffused light, dominated by muted blues and grays, suggesting a foggy or cloudy day. The camera is positioned directly beneath the structure, enhancing the sense of vertigo and scale."
"rgnfr2002, A group of children, dressed in matching blue-grey robes, are seated in rows within a dimly lit, rustic interior, their expressions ranging from awe to wonder as they gaze upward, suggesting they are captivated by something unseen above them. The setting features stone walls, wooden beams, and sparse candlelight that casts warm, flickering glows across their faces and the surrounding space, indicating an evening or nighttime scene. The dominant color palette is cool and muted, dominated by deep blues and greys, contrasted by the soft yellow of candle flames. The camera captures them from a slightly low angle, emphasizing their collective upward gaze and creating an immersive, intimate perspective that draws attention to their shared moment of wonder."
"rgnfr2002, A lone rider on horseback moves forward through a narrow, rain-slicked alleyway, their silhouette stark against the gloom. The setting is an urban alley flanked by tall, weathered walls—one with corrugated metal panels and the other with rough brickwork, both reflecting faint ambient light. The scene is lit by scattered, flickering orange flames on the ground and a dim, cool blue glow from above, suggesting a stormy night. Dominant colors are deep blacks, muted grays, and the warm, glowing orange of the fire, creating a high-contrast, moody atmosphere. The camera frames the scene from a low, slightly angled perspective, emphasizing the rider’s isolation and the oppressive, wet environment."
"rgnfr2002, A close-up of a newspaper clipping features a young boy in a dark suit and tie, with the headline “Young Boy Survives Inferno” prominently displayed. The article, attributed to a London-based reporter, is partially visible alongside a blurred, reddish-toned image on the left, possibly depicting a chaotic or fiery scene. The lighting is dim and warm, casting a yellowish hue over the paper, suggesting an indoor setting with artificial light. The dominant colors are muted browns, off-whites, and deep reds, with the camera angled slightly downward, focusing tightly on the newspaper’s text and photo."
"rgnfr2002, A man with a bloodied face stands center-frame, facing forward with a tense posture, flanked by others in a dim, cluttered outdoor space partially covered by camouflage netting. Behind him, a vehicle with its side door open and a person seated inside is visible, while scattered debris, including metal grates and barrels, litter the ground. The scene is bathed in cold, diffused daylight filtering through the netting, casting sharp shadows and creating a stark, gritty atmosphere dominated by muted grays, blacks, and dull blues. The camera is positioned over the shoulder of a figure in the foreground, framing the scene from a low, immersive angle that emphasizes the confrontation and the desolate environment."
"rgnfr2002, A massive, armored dragon with spiked ridges and a horned head emerges from the smoky ruins, its body low to the ground as it moves through the debris, kicking up dust and embers. The setting is a shattered industrial landscape, with collapsed steel frameworks, broken concrete, and scattered fires glowing faintly among the rubble. The lighting is dim and overcast, casting a gray-blue hue over the scene, suggesting either dawn or dusk with heavy smoke diffusing the light. Dominant colors are muted grays, blacks, and smoky browns, punctuated by small orange flames. The camera is positioned at a low angle, emphasizing the dragon’s imposing scale and the devastation around it, with the creature’s head and upper body filling the foreground."
"rgnfr2002, A dark, military-style helicopter is captured in mid-flight, viewed from directly behind as it hovers or glides over a vast, hazy landscape. Below, rolling hills and faintly visible winding roads stretch into the distance, partially obscured by atmospheric haze. The scene is bathed in cool, muted blue and gray tones, suggesting either dawn or dusk, with soft, diffused lighting that casts the helicopter in silhouette. The camera maintains a steady, centered rear-facing angle, emphasizing the aircraft’s isolation and the expansive, desolate terrain beneath."
"rgnfr2002, A close-up view captures the rough, textured surface of a cave ceiling, where water droplets glisten under a focused beam of warm light. The setting is a dim, enclosed underground space, with the light source illuminating only a small section of the rocky expanse, leaving the rest in deep shadow. Dominated by earthy browns and dark grays, the scene is lit by a single artificial glow that highlights the wet, mineral-rich formations. The camera is angled upward, emphasizing the cavern’s verticality and the intricate, uneven contours of the stone."
"rgnfr2002, A massive, winged creature soars through a gloomy sky, its silhouette sharp against the overcast backdrop as it glides low over the jagged rooftops of a ruined urban landscape. The setting is a desolate cityscape, with broken structures, exposed beams, and smoke rising from scattered fires, suggesting recent destruction. The lighting is dim and atmospheric, dominated by cool blues and deep shadows, evoking a late afternoon or twilight hour. The camera frames the scene from a low angle, emphasizing the creature’s imposing scale and the oppressive, ruined environment below."
"rgnfr2002, A lone figure crouches in the dim, cavernous interior of a ruined structure, their silhouette barely visible against the gloom, seemingly inspecting or navigating the debris-strewn floor. The setting is a collapsed, skeletal ruin with jagged, broken beams and rubble-strewn ground, through which faint orange embers glow in the distance, suggesting a recent fire or explosion. The lighting is stark and dramatic, with deep shadows dominating the frame and a single shaft of cool, blue-tinged light illuminating the far side, indicating either twilight or an artificial source in a desolate, post-apocalyptic environment. The dominant colors are dark grays, blacks, and muted blues, punctuated by the warm glow of distant fire. The camera is positioned low and wide, capturing the"
"rgnfr2002, A digital interface overlays a murky, textured underwater environment, indicating a tracking system is monitoring a subject named “Quinn” at an unknown position. The scene is dimly lit with a greenish-blue glow emanating from the HUD elements, suggesting a deep-sea or subaquatic setting during nighttime or in total darkness. Dominant colors are dark greens and blacks, punctuated by glowing green and blue interface markers, with the camera positioned as if through a helmet-mounted or drone-mounted viewfinder, focused on a distant, faintly illuminated point of interest."
"rgnfr2002, A lone figure stands atop a weathered concrete structure, silhouetted against a hazy, mountainous backdrop, while another figure stands nearby, both appearing to observe a helicopter descending in the distance. The setting is a rugged, industrial complex with satellite dishes, antennas, and cylindrical tanks, all nestled in a misty, mountainous valley. The lighting is dim and cool, suggesting either dawn or dusk, with a pervasive blue-gray tone dominating the scene and casting long shadows. The camera frames the scene from a low, wide angle, emphasizing the isolation of the figures and the imposing scale of the terrain and structures."
"rgnfr2002, A lone rider on a motorcycle traverses a barren, uneven field under a heavy, overcast sky, kicking up dust as they move toward the right edge of the frame. The landscape is desolate and muted, with sparse, low vegetation barely visible against the dark earth, and the rider holds a long pole or antenna in one hand. The lighting is dim and diffused, casting everything in cool, monochromatic tones of gray and deep blue, suggesting either dawn or dusk in a gloomy, isolated environment. The camera is positioned low and wide, emphasizing the vast emptiness of the terrain and the solitary figure moving across it."
"rgnfr2002, A bald man with a weathered face and a thick beard holds a metallic, spiral-bound notebook up to his mouth, obscuring the lower half of his face while his eyes look upward with intensity. He wears a thick, textured woolen garment, and the background is a blurred, desolate gray landscape, suggesting a cold, barren environment. The lighting is harsh and directional, casting strong shadows and highlighting the contours of his face and the reflective surface of the notebook, indicating either early morning or late afternoon. The dominant colors are muted grays and browns, with a cool, somber tone. The camera frames him in a tight close-up, angled slightly from below, emphasizing his focused expression and the starkness of the moment."
"rgnfr2002, A group of shirtless men are hunched over, laboring in a dim, rocky underground tunnel, their movements suggesting they are digging or clearing debris. The rough, uneven stone walls and scattered rubble reinforce the claustrophobic, industrial setting, with faint light sources casting warm, flickering glows from the background. The scene is bathed in deep shadows and earthy tones—ochres, browns, and dark grays—with the only illumination coming from torches or lamps, indicating nighttime or a location without natural light. The camera is positioned at a low, wide angle, capturing the cramped space and the physical exertion of the workers, emphasizing the gritty, oppressive atmosphere."
"rgnfr2002, A person in a loose, muted-toned robe stands with their back to the viewer, holding a curved metal object near a bed or cot in a cluttered, dimly lit room. The space is filled with stacked papers, a cluttered desk, and hanging garments, illuminated by a single bright desk lamp casting warm, focused light while the rest of the room remains in deep shadow. The dominant colors are dark browns, grays, and muted blues, with the warm yellow glow of the lamp creating a stark contrast. The camera is positioned at a medium distance, slightly off-center, capturing the scene from behind the subject, emphasizing the isolation and quiet intensity of the moment."
"rgnfr2002, A large, roaring fire erupts from the left side of a dimly lit industrial interior, its orange and yellow flames billowing through thick, swirling smoke that obscures much of the scene. The setting is a cavernous, metallic structure with exposed steel beams, grated walkways, and pipes running along the ceiling and walls, suggesting a factory or power plant. Sparse, cool-toned artificial lights cast sharp glares against the dark metal surfaces, contrasting with the warm glow of the fire. The dominant colors are deep blacks and grays of the machinery, punctuated by the fiery orange and yellow of the blaze and the grayish-white of the smoke. The camera is positioned at a low angle, looking upward into the smoke-filled space, emphasizing the scale of the fire and the industrial environment."
"rgnfr2002, A dark, sleek helicopter hovers in a dense, misty night sky, its powerful searchlights cutting through the gloom with sharp beams. The aircraft’s rotors spin rapidly, creating a blurred, dynamic motion against the deep indigo backdrop, while its underbelly and landing gear are faintly illuminated by the lights. The scene is dominated by cool blues and blacks, with stark white highlights from the lights creating high contrast. Shot from a low, upward angle, the camera emphasizes the helicopter’s imposing presence as it dominates the frame, suggesting a tense, high-stakes moment."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.