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Resident Evil Degeneration 2008
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word rsdntevldg2008 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"rsdntevldg2008, A detailed architectural blueprint of a building’s west wing lies flat on a surface, its black ink lines and labeled sections—such as “F6,” “F7,” and “WB”—contrasting sharply against the grid-lined paper. The camera is angled slightly downward, capturing the plan’s intricate layout, including curved walls, rectangular rooms, and measurement notations, with soft, even lighting suggesting an indoor, daytime setting. The dominant colors are monochromatic—black ink on off-white paper—with the faint grid lines adding a subtle gray tone. The framing is tight, focusing on the technical precision of the drawing while leaving the surrounding space out of focus."
"rsdntevldg2008, A group of armed individuals in tactical gear advances cautiously through a dilapidated, debris-strewn underground tunnel, their weapons raised as they confront a grotesque, hunched creature wielding a glowing blade. The setting is a crumbling, cavernous space with broken wooden planks, scattered rubble, and exposed metal structures, suggesting a long-abandoned facility. Dim, focused lighting from handheld torches casts sharp shadows, illuminating the tense standoff while leaving much of the environment in deep darkness, implying nighttime or a subterranean void. The dominant colors are muted grays, browns, and blacks, punctuated by the stark yellow glow of the torches. The camera adopts a high-angle, wide shot that emphasizes the scale of the decayed environment and the precarious positioning of the group against the"
"rsdntevldg2008, A woman and a young girl sit side by side on blue airport seating, gazing toward a man in a gray suit seated across from them, suggesting a moment of quiet interaction or waiting. Behind them, a red sign for an “AIRPORT RESTAURANT” hangs above a service counter, while other travelers move about in the background, some with luggage. The scene is lit with bright, even daylight, casting soft shadows on the polished floor, indicating midday. Dominant colors are the cool blue of the seats, the neutral grays and browns of the terminal, and the bold red of the restaurant sign. The camera is positioned at eye level, framed to center the seated trio while leaving foreground seats empty, creating a sense of depth and quiet observation."
"rsdntevldg2008, A soldier in full tactical gear, viewed from behind, stands alert with a rifle slung over their shoulder, observing a group of civilians and uniformed personnel gathered behind a metal fence. The scene unfolds at night under the harsh glare of stadium-style floodlights, casting sharp shadows and illuminating the asphalt ground and chain-link barrier. Dominated by muted greys, dark greens, and the stark white of the lights, the atmosphere feels tense and controlled. The camera is positioned at eye level, framing the soldier in the foreground while keeping the distant figures slightly out of focus to emphasize the observer’s perspective."
"rsdntevldg2008, A solitary sedan with glowing red taillights is driving slowly along a dark asphalt road, its headlights illuminating the wet pavement and casting faint reflections. In the background, a modern glass building glows with interior lights, its windows reflecting the night sky, while sparse trees and shrubs line the roadside. The scene is set at night under a deep, starless sky, with the dominant colors being black, deep blue, and the stark white of the building’s illumination contrasted by the car’s red lights. The camera is positioned low and wide, capturing the road’s arrow markings and the car’s movement toward the building, creating a sense of quiet isolation."
"rsdntevldg2008, A woman with reddish hair tied back in a ponytail, wearing a beige jacket over a magenta shirt and brown pants, extends a teacup on a saucer toward a man in a gray suit and glasses, who reciprocates the gesture while holding his own cup. They stand in a well-lit room beside a large window that reveals a cityscape outside, with a tall wooden bookshelf filled with books and binders behind them. The scene is bathed in soft, natural daylight, suggesting midday, and the dominant colors are muted earth tones—beige, gray, brown—with accents of magenta. The camera frames the interaction from a medium shot, slightly angled to capture both figures and the bookshelf, emphasizing the quiet, formal exchange."
"rsdntevldg2008, A low-angle shot captures the imposing, symmetrical architecture of a vast, multi-level interior space, dominated by towering concrete pillars and a massive, curved translucent ceiling panel that glows with a cool, diffused light. The setting is an industrial or institutional structure, with dark, shadowed recesses and metallic trusses framing the central illuminated dome, suggesting a cavernous atrium or transit hub. The lighting is stark and atmospheric, with the primary illumination emanating from the ceiling, casting deep shadows and creating a moody, high-contrast environment that feels both monumental and slightly oppressive. The dominant colors are muted grays and blacks, punctuated by the pale, bluish-white glow of the ceiling, and the camera’s upward tilt emphasizes the scale and geometric precision of the architecture."
"rsdntevldg2008, A central glass elevator ascends through a vast, multi-level atrium, surrounded by curved walkways and intricate metal frameworks that radiate outward like spokes. The setting is a modern architectural space with white tiled walls, geometrically patterned windows, and red structural accents, all bathed in bright, diffused daylight filtering through a high, translucent ceiling. Dominant colors are cool whites and metallic grays, contrasted by the warm reds of the beams and the greenish tint of the metal supports. The camera is positioned low, looking upward, emphasizing the verticality and scale of the structure, creating a sense of awe and grandeur."
"rsdntevldg2008, A gloved hand, worn with visible creases and stitching, is being gently held by another person’s bare hand, suggesting a moment of comfort or reassurance. The setting is dimly lit, with deep shadows dominating the background, while the hands are illuminated by a focused, soft light that highlights the texture of the leather glove and the skin. The dominant colors are muted—dark grays, blacks, and the pale tone of the exposed skin—creating a somber, intimate atmosphere. The camera is tightly framed on the hands, angled slightly from above, emphasizing the tactile connection and emotional weight of the gesture."
"rsdntevldg2008, A computer monitor displays a file explorer window titled “WINDOW: SNDS,” filled with numerous MP3 audio files labeled “SND_” followed by sequential numbers, each with a green waveform thumbnail. The interface resembles an older macOS design, with a menu bar showing system icons and a sidebar with “TEXT FILES” and “DOCUMENTS” tabs. The scene is dimly lit with soft, ambient light casting gentle shadows, suggesting an indoor setting during evening or night. The dominant colors are muted grays and off-whites, with the green waveforms providing a subtle contrast. The camera is angled from above and slightly to the side, focusing on the screen while showing part of the monitor’s bezel and physical buttons below."
"rsdntevldg2008, A silver sedan with its headlights on navigates a curved road at night, its beams illuminating the wet asphalt and casting sharp reflections. The vehicle is positioned mid-turn, with two occupants visible inside, framed against a backdrop of dark trees and sparse streetlights. The scene is bathed in cool blue and gray tones, punctuated by the bright white glow of the headlights and faint yellow curb markings. The camera is positioned low and slightly angled, capturing the car’s motion as it rounds the bend, emphasizing the wet surface and the isolation of the nighttime drive."
"rsdntevldg2008, A long, abandoned hallway stretches into darkness, flanked by rows of shattered glass windows with broken blinds, revealing glimpses of debris and decay inside. The only illumination comes from a faint blue glow at the far end and a few flickering ceiling lights, casting deep shadows and emphasizing the desolation. The scene is dominated by dark blues and blacks, with stark contrasts created by the fractured glass catching stray light. Shot from a straight-on, eye-level perspective, the camera draws the viewer into the corridor’s eerie emptiness, enhancing the sense of isolation and suspense."
"rsdntevldg2008, A digital interface displays a 3D wireframe schematic of a cylindrical air conditioning dome, with pressure readings and operational data scrolling on the right. The setting is a high-tech control room, illuminated by a green grid overlay and glowing text, suggesting a futuristic or industrial environment. Dominated by dark backgrounds with neon green and electric blue highlights, the camera presents a centered, top-down view of the system’s blueprint and real-time metrics, conveying a sense of monitoring and technical precision."
"rsdntevldg2008, A man in a pinstripe suit sits relaxed in a leather armchair, gesturing as he speaks to a uniformed officer standing nearby, while another man in a dark suit holds a briefcase and faces him. Two figures in dark suits and sunglasses stand guard near large windows overlooking an airport tarmac, where aircraft are visible in the distance. The room is lit by natural daylight streaming through the windows, casting soft shadows across the wooden paneling and carpeted floor. Dominant colors include deep blues, charcoal grays, and warm wood tones, contrasted by the officer’s bright blue uniform. The camera is positioned at eye level, capturing the scene from a medium shot that frames the seated man centrally, emphasizing the tense yet controlled atmosphere of the encounter."
"rsdntevldg2008, three figures stand on a high vantage point overlooking a sprawling valley, their backs to the viewer as they gaze at a modern complex nestled among forests and rolling hills. The scene includes a tall, glass-and-steel tower and a large, circular domed structure, both surrounded by manicured lawns and winding roads. The lighting is soft and diffused, suggesting an overcast day or early morning, casting gentle shadows and lending a muted, natural palette of greens, grays, and earth tones to the landscape. The camera is positioned at eye level from behind the group, framing them as observers of the distant architecture and vast natural expanse below."
"rsdntevldg2008, A translucent, dome-shaped holographic interface hovers over a circular, metallic platform, displaying a radial layout of five labeled levels—LV0 at the center, surrounded by LV1, LV2, LV3, and LV4—with progress bars indicating their status. The setting appears to be a high-tech control room or command center, with blurred industrial structures and warm ambient lighting in the background, suggesting an interior space during daytime. Dominated by cool blue and white tones with metallic silver accents, the scene is captured from a low-angle perspective, emphasizing the hologram’s three-dimensional depth and the intricate, glowing lines of its digital architecture."
"rsdntevldg2008, in a dim, cavernous interior filled with debris and exposed structural beams, two figures navigate cautiously through the wreckage, one holding a flashlight that cuts through the gloom with a bright, focused beam. The setting appears to be a collapsed or abandoned industrial or transport space, with twisted metal, hanging wires, and scattered rubble underfoot. The lighting is starkly contrasted—deep shadows dominate, punctuated by the cool, bluish-white glow of the flashlight and faint ambient light filtering from unseen sources, suggesting nighttime or a power outage. Dominant colors are muted grays, blacks, and metallic tones, with the flashlight’s beam providing a sharp, luminous focal point. The camera is positioned at a low angle, looking upward slightly, enhancing the oppressive scale of the environment and the vulnerability of"
"rsdntevldg2008, A group of figures navigate through the rubble of a collapsed interior space, moving cautiously among twisted metal beams and shattered concrete. The setting is a vast, ruined hall with broken windows allowing shafts of dim, diffused light to filter through, illuminating dust motes in the air and casting long, stark shadows. The dominant palette is muted gray and sepia, emphasizing decay and desolation, while the camera adopts a wide, low-angle shot that emphasizes the scale of destruction and the smallness of the figures within it."
"rsdntevldg2008, A person in a dark, wet environment is carefully placing a bloodied object into an open, metallic case. The setting appears to be a dimly lit, possibly underground or submerged area with rough, damp surfaces and scattered debris. The lighting is low and cool-toned, casting deep shadows and emphasizing the gloomy, tense atmosphere, suggesting nighttime or an enclosed, poorly lit space. Dominant colors are dark grays, blacks, and muted metallics, with subtle highlights on the wet fabric and case edges. The camera is positioned at a low angle, focusing closely on the hand and the object being placed, creating an intimate and suspenseful perspective."
"rsdntevldg2008, in a dimly lit, narrow corridor, a person in a leather jacket stands facing a heavily armored operative from a tactical unit, while another armed operative with a flashlight scans the surroundings. The scene is framed from behind the central operative, emphasizing the tense standoff, with stark shadows and a single beam of light cutting through the darkness. Dominated by black and deep gray tones, the environment feels claustrophobic and suspenseful, suggesting a nighttime or underground setting. The camera’s low-angle perspective enhances the imposing presence of the tactical team and the vulnerability of the individual they confront."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.