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Gozu 2003

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word gzu in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"gzu, A man with dark hair and glasses stands leaning against a black railing, his right hand gripping the top rail as he gazes forward with a serious expression, wrapped in a patterned gray scarf and wearing a dark leather jacket. The setting appears to be a dimly lit balcony or outdoor corridor at night, with a dark wooden door or window frame behind him and a muted greenish wall to the left. The lighting is low and warm, casting soft shadows and giving the scene a moody, cinematic tone, with dominant colors of deep black, muted green, and gray. The camera frames him in a medium close-up, slightly angled from the side, emphasizing his posture and focused demeanor."

"gzu, A man in a textured gray coat and dark sunglasses leans forward intently, gripping a black firearm, while another person in a dark jacket is partially visible beside him. The scene appears to be set outdoors near a vintage-style vehicle, with its curved fender and tire visible in the background. The lighting is dim and moody, suggesting late afternoon or dusk, casting deep shadows across the subjects’ faces and clothing. Dominant colors are muted grays, blacks, and dark browns, contributing to a tense, gritty atmosphere. The camera frames the subjects in a tight, low-angle close-up, emphasizing their focused expressions and the immediacy of the moment."

"gzu, A solitary figure walks down a narrow, winding alleyway between traditional wooden houses with tiled roofs, their movement creating a quiet sense of solitude. The setting is a densely packed residential neighborhood, with visible utility poles, antennas, and a parked white car nestled among the structures. The lighting is warm and golden, suggesting late afternoon or early evening, casting long shadows and bathing the scene in a nostalgic, slightly hazy glow. Dominant colors are earthy browns, muted greens, and faded yellows, with the rooftops and walls showing signs of age and weathering. The camera is positioned high above, looking down at a steep angle, emphasizing the narrowness of the alley and the layered arrangement of the rooftops."

"gzu, A man with a bloodied cheek and an intense, confrontational expression stares directly at another person whose back is to the camera, suggesting a tense, face-to-face standoff. He wears a dark leather jacket over a collared shirt and a patterned scarf, standing in a room with a framed circular artwork featuring floral motifs on the wall behind him. The lighting is warm and directional, casting soft shadows and highlighting the man’s face and the texture of his clothing, indicating an indoor scene likely during evening or night. Dominant colors are deep browns, blacks, and muted grays, contrasted by the warm glow on his skin and the lighter tones of the artwork. The camera is positioned at eye level, tightly framing the man’s upper body and face, emphasizing his emotional state and the immedi"

"gzu, A man with short reddish hair and dark sunglasses stands outdoors, wearing a dark jacket and a gray scarf, gesturing with his right hand as if mid-conversation or explanation. The background is a vast, pale sky with a faint, curved dark shape—possibly the edge of a vehicle or structure—visible in the lower-left corner. The lighting is bright and even, suggesting midday, casting soft shadows and giving the scene a slightly hazy, washed-out quality. Dominant colors are muted grays, blacks, and the pale blue-green of the sky, with the man’s scarf adding a touch of texture. The camera is positioned at a low angle, looking up at the subject, emphasizing his presence against the open sky."

"gzu, A central figure in a white zip-up jacket stands in a tense, confrontational pose, flanked by several men in dark suits and formal attire, their expressions stern and watchful. The scene unfolds in a narrow, tiled corridor with wooden paneling and a hanging sign bearing vertical script, suggesting an institutional or urban interior. The lighting is dim and directional, casting sharp shadows and creating a moody, late-afternoon or nighttime atmosphere. Dominant colors are muted earth tones and blacks, contrasted by the bright white of the central jacket. The camera frames the group tightly from a slightly low angle, emphasizing the weight of the moment and the surrounding men’s looming presence."

"gzu, A man wearing a camouflage-patterned bucket hat and a white long-sleeved shirt sits on a scooter, holding a large, patterned plastic bag in one hand while resting the other on the handlebars; he appears to be smoking. The setting is an urban street with a chain-link fence, greenery, and a faded sign in the background, alongside a parked white vehicle. The lighting is soft and diffused, suggesting late afternoon or early evening, casting a warm, slightly hazy glow over the scene. Dominant colors are muted greens, yellows, and browns, with the white of the shirt and bag standing out. The camera is positioned at eye level, capturing the subject in a medium shot that emphasizes his posture and the surrounding environment."

"gzu, stacks of copper-colored coins are arranged on a worn wooden surface, some piled high while others lie scattered, suggesting recent counting or saving. In the background, a white, slightly chipped ceramic object and a glass jar with a metal lid sit beside cylindrical metal tubes, adding to the utilitarian, cluttered feel. Warm, directional lighting casts long shadows and highlights the metallic sheen of the coins, indicating late afternoon or early evening. The dominant colors are earthy browns and muted copper tones, with the white ceramic providing contrast. The camera is positioned at a low angle, close to the surface, emphasizing the texture of the wood and the reflective quality of the coins."

"gzu, A man in a dark coat is bent forward, hands clutching his head in apparent distress, while two other men in suits stand rigidly behind him, observing with stern expressions. The scene unfolds in a sparsely decorated office with white walls, a window covered by blinds, and a small shelf holding a black figurine and a framed abstract artwork. The lighting is flat and even, suggesting an overcast day or interior artificial light, casting muted shadows and emphasizing the somber mood. Dominant colors are dark neutrals—black, charcoal, and beige—with a hint of brown from the wooden frame. The camera is positioned over the shoulder of an unseen person in the foreground, creating an intimate, tense perspective that draws focus to the central figure’s anguish."

"gzu, A woman with wild, dark hair, wearing a patterned shirt, is leaning forward intently, holding a small object in one hand while gesturing with the other toward someone off-camera. The setting is a cluttered, dimly lit interior, possibly a kitchen or small room, with shelves filled with various items, a green box mounted on the wall, and a window with striped curtains partially visible. The lighting is warm and low, casting deep shadows and creating a tense, intimate atmosphere, suggesting late afternoon or evening. Dominant colors are earthy browns, muted greens, and dark tones, punctuated by the bright green box. The camera is positioned close to the subject, slightly over the shoulder of the person facing her, creating a tight, immersive frame that emphasizes the confrontation."

"gzu, A bald man with a weathered, partially obscured face—covered in a thick, pale substance on one side—looks slightly off-camera with a somber, contemplative expression. Behind him, a dimly lit interior features framed calligraphic artwork in red and gold tones, suggesting a traditional or culturally significant space. The lighting is warm and low, casting deep shadows and highlighting the texture of the substance on his face, indicating an evening or nighttime setting. Dominant colors are earthy browns, muted golds, and deep reds, with the pale substance creating a stark contrast. The camera frames him in a tight close-up, angled slightly from the side, emphasizing his facial details and the emotional weight of the moment."

"gzu, A woman with shoulder-length dark hair sits relaxed in a plush, dark brown leather armchair, wearing a glossy red leather jacket over a patterned top, her legs crossed and gaze directed toward someone or something just out of frame. The setting is an intimate indoor space, likely a living room, with soft, warm ambient lighting that casts a golden hue across the scene, suggesting late afternoon or early evening. The dominant colors are rich reds, deep browns, and warm yellows, creating a moody, cinematic atmosphere. The camera is positioned at a low angle, slightly off-center, with the foreground partially obscured by the blurred back of another chair, drawing focus to the seated woman’s contemplative expression."

"gzu, A close-up captures a man with a shaved head, his mouth wide open in a shout or scream, eyes wide and brows furrowed, conveying intense emotion. He wears a loose, light-colored garment draped over his shoulder, and the background is a dark, indistinct void, emphasizing his face. The scene is bathed in a warm, golden-orange light that casts strong shadows, suggesting a low-angle, dramatic illumination, possibly from a single source. The dominant colors are deep browns and warm yellows, creating a tense, cinematic atmosphere. The camera is tightly framed on his face, angled slightly from below, amplifying the rawness of his expression."

"gzu, A glass door with Japanese text reading “コーヒー 食事” (coffee, food) is framed by dark wood, with large, faded green characters partially visible on the glass panels. The reflection in the glass reveals an urban street scene with overhead structures and distant vehicles, suggesting a quiet moment in a city. The lighting is dim and warm, casting a yellowish hue over the scene, indicating late afternoon or early evening. Dominant colors are muted browns, deep greens, and the warm glow of ambient light. The camera is positioned at eye level, capturing the door head-on with a slight tilt, emphasizing the vertical lines of the frame and the reflective surface."

"gzu, An older man with a receding hairline and a thoughtful expression gazes slightly off-camera, his face illuminated by warm, soft light that highlights the texture of his skin and the subtle lines around his eyes. He is seated indoors, with wooden-framed windows and a dark wooden cabinet visible in the background, suggesting a modest, lived-in interior. The lighting casts a golden hue across the scene, indicating either late afternoon or early evening, with muted earth tones—browns, beiges, and soft grays—dominating the palette. The camera frames him in a tight close-up, angled slightly from below, drawing focus to his contemplative demeanor and the quiet intensity of the moment."

"gzu, A brightly lit hotel building stands at a street corner under a dark night sky, its facade adorned with colorful neon signage and decorative balconies. The structure is outlined in vivid blue neon, with red and white accents on the corner pillars and awnings, while warm interior lights glow from windows. The camera captures the scene from a low, upward angle, emphasizing the building’s height and ornate architectural details against the deep blackness of the night."

"gzu, A brown leather armchair sits in the foreground, its textured surface catching soft ambient light, while a person’s silhouette moves partially out of frame to the right. Behind it, a glass-topped side table with ornate metal legs holds a lamp with a beige shade and a vase of vibrant red-orange flowers, casting gentle shadows on the white wall and sheer curtains. The lighting is warm and diffused, suggesting late afternoon or early evening indoors, with dominant tones of brown, cream, and red-orange creating a cozy, intimate atmosphere. The camera is positioned at eye level, framing the scene with a shallow depth of field that blurs the background slightly, emphasizing the chair and the table’s contents."

"gzu, A bald man in a white t-shirt with Japanese characters leans against a wall, his head bowed in a posture of quiet contemplation or fatigue. Behind him, a vertical calendar or schedule is pinned to the wall, and a curtain with a floral pattern hangs to the left, suggesting a modest, lived-in interior. The scene is bathed in warm, dim, yellowish light, likely from an indoor source, casting soft shadows and indicating evening or night. The dominant colors are muted yellows, off-whites, and browns, creating a subdued, intimate atmosphere. The camera frames him in a medium close-up, slightly angled from the side, emphasizing his solitary presence and the quiet tension of the moment."

"gzu, two nude individuals are engaged in an intimate act on a light-colored sofa in a modestly furnished living room. A patterned handbag rests on the sofa’s cushion, while a small metal side table holds a lamp casting a warm glow, a glass, and scattered items, suggesting a lived-in space. The room’s lighting is dim and warm, with ambient light filtering from a window in the background, indicating evening or night. The dominant colors are earthy tones—beige, brown, and muted green—enhanced by the soft, low-key illumination. The camera is positioned at a low angle, capturing the scene from the side with a medium shot that emphasizes the sofa and the surrounding environment."

"gzu, A shirtless man with dark, tousled hair is captured in a close-up, his face contorted in a grimace as blood trickles down his temple and cheek, suggesting recent violence or injury. He is positioned indoors, with a wooden-framed wall or screen behind him, bathed in a warm, dim, amber-hued light that casts deep shadows and emphasizes the texture of his skin and the glistening blood. The camera is tightly framed on his upper body and face, angled slightly from the side, enhancing the raw, intimate intensity of the moment."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 81 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 14 steps, guidance 1, LoRA weight 1.