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Robocop 1987
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word rbcp in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"rbcp, A humanoid figure in weathered, metallic armor sits motionless beside a vehicle with a glowing blue emergency light bar, its head slightly bowed in a contemplative or defeated posture. The setting is an urban plaza with modern buildings and sculptural elements visible in the background, under soft, diffused daylight that suggests late afternoon. The dominant colors are muted grays and metallic tones, contrasted by the cool blue of the light bar, framed in a medium close-up that emphasizes the figure’s stillness and the texture of its worn armor."
"rbcp, A heavily armored humanoid figure stands centered, its helmeted head tilted slightly upward, revealing only the lower half of its face through a narrow visor. The setting is an indoor space with muted gray walls, a tiled section to the right, and a recessed doorway in the background, suggesting a utilitarian or institutional environment. The lighting is artificial and directional, casting soft highlights on the metallic surfaces of the armor while leaving the background in subdued shadow, indicating an interior scene during evening or night. Dominant colors are cool grays and metallic silver, with subtle purplish undertones reflecting off the armor’s polished plates. The camera frames the subject from a low angle, emphasizing its imposing stature and creating a sense of dominance within the confined space."
"rbcp, A group of armed individuals stands in a dimly lit, industrial warehouse, with one person in the foreground holding a rifle and looking upward with a determined expression, while others flank them, some also armed and alert. The setting features exposed metal beams, a concrete pillar, and a hanging industrial light fixture, suggesting a gritty, utilitarian space. The lighting is low and directional, casting deep shadows and highlighting the figures against the dark background, implying either nighttime or an interior with minimal artificial light. Dominant colors are muted grays, browns, and blacks, with a touch of green from one person’s jacket. The camera is positioned at a low angle, looking up at the group, which emphasizes their imposing presence and creates a sense of tension and anticipation."
"rbcp, inside a dimly lit diner, two individuals are seated at a counter, one leaning forward while the other appears to be holding a cup, suggesting a casual interaction or conversation. The setting features a worn wooden door partially ajar on the right, a tiled wall to the left, and a framed menu or sign on the back wall, with a small light fixture casting a warm glow overhead. The lighting is low and moody, with shadows dominating the space, indicating either nighttime or a poorly lit interior. Dominant colors are muted browns, dark blues, and faded reds from the stools, creating a gritty, intimate atmosphere. The camera is positioned from a slightly off-center angle, looking through the doorway into the room, framing the scene with a sense of voyeuristic observation."
"rbcp, A man with a shaved head and a short beard, wearing a dark leather jacket with silver buttons, sits inside a dimly lit space, looking thoughtfully toward the right. Behind him, a glass pane reflects blurred neon lights and rain streaks, suggesting an urban nighttime setting. The lighting is low and moody, casting soft shadows on his face, with dominant tones of gray, black, and muted red from the ambient glow. The camera frames him in a medium close-up, slightly angled from the side, emphasizing his expression and the reflective surface in front of him."
"rbcp, A lone figure ascends a narrow, curved staircase at the center of a towering, multi-level interior space, framed by towering, angular walls and suspended walkways. The setting is a modern, geometric building with exposed structural beams, glass panels, and metallic surfaces, creating a sense of verticality and industrial design. The lighting is dim and artificial, casting deep shadows and highlighting the warm browns and cool grays of the materials, suggesting late afternoon or nighttime. The camera is positioned at a low angle, looking upward through a symmetrical, mirrored composition that emphasizes the building’s height and the figure’s solitary journey upward."
"rbcp, A figure in a suit stands in a high window, arms raised in a gesture of surrender or appeal, illuminated by a spotlight against the dark facade of a classical-style building. Below, armed personnel in tactical gear and helmets are positioned on a street, some operating large, mounted sound or communication devices, suggesting a tense standoff or negotiation. The scene is set at night, with stark artificial lighting casting sharp shadows and highlighting the contrast between the brightly lit window and the surrounding darkness. Dominant colors are deep blues and blacks of the night, punctuated by the white glow of the spotlight and the greenish tint from interior lights visible through other windows. The camera is positioned at a low angle, looking up toward the window, emphasizing the height and isolation of the figure above the crowd."
"rbcp, A man with glasses, wearing a light gray shirt, is seated at a cluttered counter, intently examining a large black firearm held upright in front of him. The setting appears to be a small, busy shop with shelves stocked with various items including boxes, dice, and a “MISSING” poster in the foreground; behind him, a vintage cash register and a neon sign glowing red through a window suggest a late afternoon or early evening ambiance. The lighting is warm and slightly dim, casting soft shadows and highlighting the muted tones of the scene—grays, browns, and the stark black of the weapon—while the camera frames him in a medium close-up from a slightly low angle, emphasizing his focused posture and the object he’s inspecting."
"rbcp, multiple vintage television sets are stacked and displayed in a storefront window, each broadcasting the same scene of a man in a dark suit interacting with another person. The setting is a dimly lit urban street at night, with reflections of streetlights and neon signage visible on the glass, and small “RCA SALE” tags attached to some sets. The dominant colors are muted grays and blacks of the televisions, contrasted with the warm glow of the neon and the cool blue tones of the displayed scene. The camera is positioned at a low angle, looking up through the window, creating a layered, cluttered composition that emphasizes the abundance of old technology."
"rbcp, three individuals are gathered indoors, their gazes directed upward with expressions of awe or concern, as if witnessing something extraordinary above them. The setting appears to be a large, industrial or warehouse-like space with exposed beams, metal railings, and a high ceiling, where another person is visible in the background near a railing. The lighting is dim and moody, with warm, directional light casting shadows and highlighting the faces and clothing, suggesting late afternoon or early evening. Dominant colors are muted earth tones—browns, grays, and dark greens—with a splash of red from a wine glass in the foreground. The camera is positioned at eye level, framing the subjects tightly in a medium shot that emphasizes their upward focus and the scale of the environment around them."
"rbcp, A close-up captures a person’s face, eyes wide open and staring upward, with visible blood streaks and smudges across the forehead and cheek. The setting is dimly lit, suggesting an indoor or shadowed environment, with the subject’s pale skin and the crimson of the blood creating a stark contrast. The camera is angled slightly from above, emphasizing the intensity of the gaze and the raw, visceral state of the subject."
"rbcp, A humanoid figure in a sleek, silver armored suit with a helmet featuring a narrow, horizontal visor stands still, its head slightly tilted downward. The background consists of a chain-link fence and industrial-looking walls, suggesting an enclosed, utilitarian space. The lighting is even and artificial, casting soft reflections on the metallic surfaces, with no discernible natural light source, indicating an indoor setting during daytime or under artificial illumination. Dominant colors are metallic silver and muted gray, with subtle shadows accentuating the suit’s contours. The camera frames the subject in a medium close-up, centered and slightly low-angled, emphasizing the imposing, mechanical form."
"rbcp, in a cluttered, utilitarian control room, two individuals in white lab coats are seated at a desk, one eating from a takeout container while the other reads a newspaper, both seemingly disengaged from the monitors before them. Behind them, a large, imposing metallic humanoid figure stands behind a chain-link fence, while multiple CRT monitors display grainy, static-filled footage of the same figure, suggesting surveillance or monitoring. The lighting is flat and functional, casting no strong shadows, and the dominant colors are muted grays, blacks, and the off-white of the lab coats, with a touch of red from a logo on the container. The camera is positioned at eye level, capturing the scene in a medium shot that emphasizes the contrast between the mundane activity of the observers and the looming, mechanical"
"rbcp, A man with light brown hair peers anxiously over the edge of a glass table, his eyes wide with tension as he stares at a black, digital timer resting on the surface. The setting is a modern, dimly lit interior with a dark leather couch in the background and a gray wall with a framed picture; the table’s reflective surface shows scattered white particles, possibly snow or dust. The lighting is subdued and cool, suggesting an indoor evening scene, with muted tones of gray, black, and beige dominating the palette. The camera is positioned low, angled upward from the table’s surface, emphasizing the man’s fearful expression and the looming countdown device."
"rbcp, in a tense, high-stakes moment, a man in a dark suit is being restrained by a woman in a pinstripe suit as she grips his arm and leans in close, while another man in a suit leans forward from behind, appearing to intervene or react. The scene unfolds in a modern, utilitarian office or control room, with black leather chairs, a glass-topped desk, and rows of monitors or equipment visible in the background. The lighting is cool and even, suggesting an indoor, artificially lit environment during the day. Dominant colors are muted grays, blacks, and dark blues, with subtle accents of white from collars and cuffs. The camera frames the action tightly from a medium shot, capturing the intensity of the interaction and the surrounding environment with a slightly elevated angle."
"rbcp, in a formal office setting, two men in suits sit at a desk, one leaning back with a relaxed, upward gaze while the other looks down with a serious, contemplative expression. Behind them, a paneled door and tiled wall suggest a professional environment, with a third person partially visible in the background. The lighting is even and diffused, typical of an indoor workspace, casting soft shadows and highlighting the muted tones of gray, beige, and dark brown in their attire and surroundings. The camera frames them in a medium shot, capturing their upper bodies and expressions with a slight angle that emphasizes the contrast in their postures and moods."
"rbcp, two individuals are seated across a desk in a news studio, engaged in a lively conversation, both smiling and gesturing toward each other. Behind them, a large, stylized world map serves as the backdrop, and a vintage-style typewriter sits centered on the desk between them. The lighting is bright and even, typical of a broadcast set, suggesting a daytime or studio-lit environment. Dominant colors include the muted gray of the desk and backdrop, contrasted with the man’s dark suit and the woman’s vibrant red top. The camera frames them in a medium shot, capturing their upper bodies and expressions, with a slight angle that emphasizes their interaction."
"rbcp, A man in a dark leather jacket stands beside an open car door at night, smiling slightly while holding a handgun in his right hand. The scene is set on a dimly lit urban street, with a row of fluorescent lights overhead casting a stark glow on a storefront and a few blurred figures in the background. The lighting is low and moody, dominated by the cool white of the fluorescents and the deep shadows of the night, with muted tones of gray, black, and faint neon green from a distant sign. The camera frames him in a medium shot, angled slightly from the side, emphasizing his stance and the open car door to his right."
"rbcp, A heavily armored humanoid figure, with a metallic helmet and articulated joints, stands in profile, holding a pistol aimed forward with a steady grip. The setting is a dimly lit, utilitarian interior with exposed wooden beams, concrete walls, and a digital clock displaying a red “4” in the background. Fluorescent lighting casts a cool, artificial glow, suggesting an indoor facility during the day or under artificial illumination. Dominant colors are muted grays and metallic silver, contrasted by the red digital display and dark shadows. The camera frames the figure from a low angle, emphasizing its imposing posture and the tension of the moment."
"rbcp, A heavily armored humanoid figure stands in a tense, ready stance, holding a pistol in its right hand, with a focused, expressionless face visible through the helmet’s narrow visor. The setting is a dim, industrial interior with a grid-patterned window wall in the background, partially obscured by haze or smoke, suggesting a gritty, confined space. The lighting is low and diffused, casting soft shadows and emphasizing the metallic sheen of the armor, with dominant tones of gray and muted silver. The camera frames the subject in a medium close-up, slightly low angle, enhancing the imposing and mechanical presence of the figure."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 453 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.