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Brazil 1985 Directors Cut
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word brzl in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"brzl, A man in a gray suit walks down a narrow corridor flanked by rows of desks where numerous people are seated, focused on computer screens and paperwork, suggesting a high-stakes, busy office environment. Overhead, industrial-style pendant lights cast a cool, even glow across the space, illuminating the metallic and dark gray tones of the exposed ductwork and structural beams, with the scene appearing to be set during daytime hours. The camera follows from behind the central figure, creating a sense of movement through the crowded, enclosed workspace, emphasizing the scale and intensity of the operations unfolding around him."
"brzl, A man in a gray suit and patterned tie sits in a dimly lit room, his gaze directed downward with a contemplative or somber expression. Behind him, a large window with dark metal bars frames a muted, overcast sky, suggesting a cold or gloomy day. The lighting is soft and diffused, casting subtle shadows across his face and emphasizing the cool blue and gray tones of the scene. The camera frames him in a medium close-up, slightly angled, drawing focus to his thoughtful demeanor and the stark, industrial feel of the environment."
"brzl, A towering, armored figure with a spiked, crown-like headpiece stands imposingly, its metallic torso gleaming under a harsh, overhead light. The setting is a dim, tiled room with a misty or foggy atmosphere, and a long staff with a red tassel rests against the figure’s side. The lighting is stark and dramatic, casting deep shadows and creating a cool blue and gray color palette, suggesting a nighttime or artificially lit environment. The camera is positioned low, looking up at the figure, emphasizing its height and menacing presence."
"brzl, A man in a worn, muted gray robe crouches on a dark tiled floor, his hands resting on the ground as he stares upward with a startled expression. In the foreground, a large, out-of-focus figure in a red and white costume looms, partially obscuring the view, while several small, glowing golden squares lie on the floor near the man’s feet. The setting is a dimly lit, enclosed space with dark, padded walls, suggesting a confined or institutional environment. The lighting is low and focused, casting deep shadows and highlighting the man’s face and the luminous squares, creating a tense, nocturnal atmosphere. Dominant colors are dark grays and blacks, contrasted by the bright red of the costume and the warm glow of the golden squares. The camera is"
"brzl, A man in a gray suit and glasses sits at a cluttered wooden desk, leaning forward with his arms crossed, appearing to be in mid-conversation or contemplation. Behind him, tall wooden filing cabinets line the wall, and the desk is strewn with papers, a vintage typewriter, a glass jar labeled “M.O.I.,” a teacup, and a large overhead lamp casting a warm glow. The scene is lit by the lamp and ambient light, suggesting an indoor office setting during daytime, with muted browns, grays, and the cream of the lampshade dominating the palette. The camera is positioned at eye level, framing the man centrally with the desk and background elements filling the shot, creating an intimate, focused composition."
"brzl, A man in a gray suit and glasses sits behind a wooden desk, smiling as he engages with another person seated across from him, whose back is to the camera. The setting is an office filled with tall, dark wood filing cabinets, a glass fishbowl, a vintage typewriter, and a brass inkwell, suggesting a mid-20th-century bureaucratic environment. Warm, focused light from a desk lamp illuminates the scene, casting soft shadows and highlighting the rich browns and muted grays of the room. The camera is positioned over the shoulder of the person facing away, creating an intimate, over-the-shoulder perspective that draws attention to the interaction and the cluttered, detailed desk surface."
"brzl, A man in a gray suit and dark tie stands in a dim, industrial-looking space, his head tilted upward as if reacting to something above him. Behind him, a large poster with bold white text reading “MIND THAT PARCEL” and a stylized eye graphic is mounted on a weathered wooden wall, while exposed pipes and a red fire extinguisher are visible to the side. The scene is bathed in a warm, reddish-orange glow, suggesting artificial lighting in a confined, possibly underground or basement setting during nighttime. The camera is positioned at a low angle, emphasizing the man’s upward gaze and creating a sense of tension or anticipation."
"brzl, A man in a gray suit and glasses sits at a cluttered wooden desk, writing on a document with a pen, while another person, seen from behind, leans over the desk reviewing papers. The setting is a dim, utilitarian office filled with wooden filing cabinets, a vintage typewriter, a glass jar, and a large overhead lamp casting a warm glow over the workspace. The lighting is subdued, suggesting late afternoon or early evening, with shadows pooling in the corners and the dominant colors being muted browns, grays, and the warm yellow of the lamp. The camera is positioned over the shoulder of the person in the foreground, creating an intimate, observational angle that focuses on the interaction and paperwork at the desk."
"brzl, A man in a pinstripe suit sits inside a vintage vehicle, one arm raised to the top of the headrest while his other hand rests on the door frame, his expression conveying surprise or urgency. The interior features worn wood paneling, a yellow warning label on the door, and a rearview mirror above the window, with a blurred figure visible outside. Warm, directional sunlight streams through the windows, casting sharp shadows and highlighting the dusty, aged surfaces, suggesting late afternoon. The dominant colors are muted grays, browns, and off-whites, with the yellow label providing a small pop of contrast. The camera is positioned at eye level from inside the car, framing the man in a medium close-up that emphasizes his reaction and the confined, textured space around him."
"brzl, A young woman with styled blonde hair wears a black bow-adorned hat and a patterned blouse under a dark, textured vest, her expression focused as she holds a long, feathered object near her mouth. She stands beside a metal stand holding a clear glass bottle and a black leather bag, with soft, diffused light illuminating the scene against a backdrop of draped white fabric. The palette is dominated by black, cream, and muted earth tones, with the camera framing her in a medium close-up from a slightly low angle, emphasizing her posture and the details of her attire."
"brzl, A young person in a plain jacket stands facing a stern-looking man in a dark uniform, who sits behind a marble reception desk marked “PORTER.” The man’s expression is serious as he looks down at the visitor, while a complex, steampunk-style mechanical device with exposed wires and tubes rests on the desk beside him. Behind them, tall, narrow windows with geometric panes cast a warm, diffused glow across the stone walls, suggesting late afternoon or early evening. The scene is dominated by muted grays and browns, with the warm light creating deep shadows and highlighting the textures of the marble and metal. The camera is positioned at a low angle, capturing the interaction from the visitor’s perspective, emphasizing the imposing nature of the desk and the man behind it."
"brzl, uniformed security personnel in dark grey uniforms and reflective helmets stand in formation, aiming their firearms forward with focused intensity. The setting is a dimly lit, cavernous interior with stone walls and a polished floor, suggesting a grand or institutional space, while a faint haze adds to the atmosphere. The lighting is low and directional, casting sharp shadows and highlighting the metallic sheen of helmets and the white gloves, with dominant tones of grey, black, and muted blue. The camera employs a shallow depth of field, keeping the foreground officer sharply in focus while blurring the background figures, creating a tense, immersive perspective."
"brzl, A man in a gray suit and patterned tie sits at a cluttered wooden desk, intently writing or reviewing documents with his hands poised over the papers. The setting is an office with a large, multi-paned window behind him, industrial pipes running vertically along the wall, and a decorated Christmas tree visible in the background. The lighting is dim and focused, casting soft shadows and highlighting the desk’s objects — including a vintage typewriter, a glass carafe, a framed photograph, and a nameplate reading “M. KURTZMANN” — suggesting late afternoon or evening. The dominant colors are muted grays, browns, and dark greens, with the warm glow of a desk lamp contrasting against the cool tones of the window. The camera is positioned at eye level,"
"brzl, A vintage, black rotary telephone with a distinctive control panel featuring red, blue, and multicolored buttons sits on a white surface, its handset resting in the cradle. Behind it, a partially visible sign reads “SCREENPLAY,” suggesting a creative or production environment, while a white pillow and striped fabric add to the domestic or office setting. The scene is lit with soft, directional light casting shadows across the surface, indicating either early morning or late afternoon. Dominant colors are black, white, and muted metallic tones, punctuated by the vivid red and blue buttons. The camera is positioned at a low, close-up angle, emphasizing the phone’s details and creating an intimate, slightly suspenseful atmosphere."
"brzl, two men in matching red work uniforms and caps stand side by side, looking intently toward someone off-camera to the right, their expressions tense and alert. The setting appears to be a dimly lit, narrow interior space, possibly a hallway or utility room, with a door and a window with blinds visible in the background; a third figure is partially visible in the foreground, out of focus. The lighting is low and directional, casting shadows and highlighting the texture of their stained jackets, suggesting an evening or nighttime scene. Dominant colors are deep reds and muted yellows from their uniforms, contrasted with the dark, neutral tones of the surroundings. The camera is positioned at eye level, framing the two men in a medium shot that emphasizes their focused attention and the confined, suspenseful atmosphere."
"brzl, A woman with curly hair, wearing a brown robe, covers her face with both hands in distress, while a man in a gray suit and tie stands beside her, holding papers and looking on with a serious expression. The setting is a dimly lit, cluttered interior with a glass-block window, a corrugated metal duct running vertically, and green paper decorations hanging from the ceiling. The lighting is subdued and warm, casting shadows and suggesting an indoor scene during evening or night. Dominant colors include muted browns, grays, and the green of the decorations, contrasted by the man’s dark tie. The camera frames the subjects in a medium shot, capturing their upper bodies and the surrounding environment, with a slightly low angle emphasizing the emotional weight of the moment."
"brzl, A person with wet, tousled hair is partially submerged in a white, claw-foot bathtub, their face peeking above the waterline as they look toward the viewer. The bathroom is cramped and utilitarian, with tiled walls showing signs of wear and rust, a large black rubber ring hanging on the wall, a mounted mirror, and a water heater unit with exposed pipes. The lighting is dim and artificial, casting deep shadows and creating a moody, enclosed atmosphere, suggesting nighttime or low-light conditions. Dominant colors are muted whites, grays, and browns, with the black rubber ring and rust stains adding contrast. The camera is positioned at eye level, framing the scene tightly to emphasize the confined space and the person’s isolation within it."
"brzl, An older woman with a voluminous reddish-brown hairstyle, wearing a metallic headband, thick-rimmed glasses, and a black-and-white patterned blouse, stares intently at someone off-screen to her right. Behind her, a wall of translucent glass blocks with abstract dark patterns filters the ambient light, while a dark, curved object—possibly a lampshade—rests in the foreground on the right. The lighting is soft and diffused, suggesting an interior space during daytime, with warm tones highlighting her face and the metallic sheen of her accessories. The camera frames her in a tight close-up, angled slightly from the side, emphasizing her focused expression and the textures of her attire and surroundings."
"brzl, A dense tangle of flexible, corrugated industrial hoses in yellow, gray, and black fills the frame, some bearing printed markings, suggesting a complex utility or ventilation system. The setting appears to be an enclosed mechanical room or utility closet, with metal panels and structural supports visible in the background. Bright, overexposed light floods in from above, casting strong highlights and lens flares that obscure details and create a high-contrast, almost ethereal glow. Dominant colors are muted industrial grays and blacks, punctuated by the vivid yellow of one hose, with the intense white and purple hues of the light source dominating the upper portion. The camera is positioned at a low angle, looking upward into the chaotic arrangement, emphasizing the scale and density of the hoses."
"brzl, A bustling, high-ceilinged control room filled with dozens of men in suits, hunched over desks or clustered in groups, intently working with vintage computer terminals and stacks of paper. Exposed metal beams, large industrial pipes running overhead, and rows of fluorescent lights illuminate the space, casting a stark, functional glow over the scene, suggesting a late-night or high-stakes operational period. The dominant palette is muted—grays, blacks, and metallic tones—with occasional pops of blue from glowing screens. The camera captures a wide, slightly elevated angle, emphasizing the scale of the room and the dense, focused activity of the personnel."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 255 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.