Inspired by the works of the American artist Edward St. John Gorey[1] (February 22, 1925 – April 15, 2000). He was a writer, Tony Award-winning costume designer,[2] and artist, noted for his own illustrated books as well as cover art and illustration for books by other writers.[3] His characteristic pen-and-ink drawings often depict vaguely unsettling narrative scenes in Victorian and Edwardian settings. To see his works, please go to
swanngalleries.com/news/illustration-art/2021/05/examining-edward-goreys-market/
olga-totumrevolutum.blogspot.com/2015/01/el-genio-de-edward-gorey.html
From ChatGPT:
Gorey setting up mannequins in Henri Bendel's window, 1978
Edward St. John Gorey (February 22, 1925 – April 15, 2000) was an American writer, illustrator, and artist known for his macabre, witty, and highly stylized pen-and-ink drawings that often accompanied surreal or darkly humorous stories. His work has become iconic for its gothic-Victorian aesthetic, dry wit, and fascination with the strange and unsettling, and it has had a lasting influence on pop culture, literature, and illustration.
🖋️ Style and Themes
Gorey’s style is immediately recognizable:
Meticulous crosshatching, often in black-and-white.
Antique settings, reminiscent of Edwardian or Victorian England.
Mysterious characters in long coats, high collars, and gloomy mansions.
Common themes include:
Melancholy or ominous fates (often of children).
Absurd and surreal narratives.
Ironic detachment from death and disaster.
Invented creatures and cryptic events.
His work is often compared to that of Charles Addams and even Lewis Carroll, but with a uniquely Goreyesque tone—both dark and droll.
📚 Notable Works
Some of his most famous books include:
The Gashlycrumb Tinies (1963): An alphabetical catalogue of children's deaths, e.g., “A is for Amy who fell down the stairs...”
The Doubtful Guest (1957): A surreal tale about an uninvited creature who overstays its welcome.
The Unstrung Harp (1953): Gorey’s first book, about an author struggling with the creative process.
He published over 100 illustrated works, many with small presses and under anagrammatic pseudonyms (like Ogdred Weary or Dogear Wryde).
🎭 Other Contributions
Theater and Ballet: Gorey designed sets and costumes for numerous productions, including Broadway’s Dracula (1977), for which he won a Tony Award for Best Costume Design.
Television: His animated opening sequence for PBS’s Mystery! series is instantly recognizable to many viewers.
He was also a passionate fan of silent films, opera, and ballet, and these influences often echo in his work.
👤 Personality and Legacy
Gorey lived much of his later life in quiet eccentricity in Cape Cod, Massachusetts, where his home has since become the Edward Gorey House Museum.
A self-described recluse, he was known for his love of cats, fur coats, and vintage books.
Despite his morbid themes, Gorey insisted he wasn’t a pessimist—his humor, though dark, was always laced with subtle empathy and irony.
🎨 Influence
Gorey’s influence can be seen in:
Tim Burton, Neil Gaiman, Lemony Snicket, and Daniel Handler.
The goth and steampunk aesthetics.
Visual storytelling that blends literary wordplay with dark humor.
Would you like a visual timeline or reading list of his works? Or a comparison with contemporary illustrators in his vein?
Here's a comparison of Edward Gorey with several contemporary or stylistically similar illustrators and storytellers—both past and present—highlighting what sets him apart and what connects him to broader traditions of dark, whimsical storytelling:
🕯️ Edward Gorey vs. Charles Addams
Tone
Quietly macabre, ironic, and literary
Darkly humorous, more cartoonish
Medium
Fine pen-and-ink, storybook format
Magazine cartoons, primarily The New Yorker
Setting
Victorian/Edwardian, invented lands
Contemporary America, gothic mansions
Famous for
“The Gashlycrumb Tinies”, Mystery! intro
The Addams Family
Common Themes
Absurdity of fate, death, social rigidity
Subversion of normalcy, family weirdness
🡆 Gorey is more reserved and literary; Addams leans into broad visual gags.
🦇 Edward Gorey vs. Tim Burton
Tone
Ironic, bleakly comic, understated
Gothic, emotional, often romantic
Medium
Illustrated books, theater design
Film, animation, visual art
Visuals
Precise crosshatching, static scenes
Curved lines, fluid motion, German Expressionism-inspired
Notable Influence
Literary tradition, surrealism
Heavily influenced by Gorey
Signature Works
The Doubtful Guest
The Nightmare Before Christmas, Corpse Bride
🡆 Burton openly cites Gorey as a key influence. Gorey walked so Burton could goth-waltz.
📚 Edward Gorey vs. Lemony Snicket (Daniel Handler)
Narrative
Often wordless or elliptical
Verbose, fourth-wall-breaking
Target Audience
Adults and odd children
Children and ironic adults
Mood
Melancholy, ambiguous
Darkly comic, yet moralistic
Common Ground
Gothic children’s literature, tragicomic fates, stylized narration
🡆 Snicket channels Gorey’s tone, but makes it more accessible and verbose for modern audiences.
🐾 Edward Gorey vs. Shaun Tan
Visual Style
Black-and-white, dense crosshatching
Full-color, painterly textures
Themes
Death, social absurdity, unspoken menace
Alienation, migration, unspoken emotion
Tone
Detached, arch
Gentle, surreal, often hopeful
Notable Works
The Epiplectic Bicycle
The Arrival, The Lost Thing
🡆 Tan is more contemporary and metaphorical, but both use surreal visuals to explore human anxiety.
✨ Summary: What Makes Gorey Unique?
Minimalist but expressive: His understated visual vocabulary leaves much to the imagination.
Invented realities: Gorey's worlds are coherent but inexplicable.
Dark elegance: He combined macabre themes with refined taste.
Neither fully adult nor child: His work lives in a timeless, ageless in-between.
Would you like suggestions for modern artists or graphic novelists influenced by Gorey today?
Here’s a list of modern artists, illustrators, and storytellers influenced by Edward Gorey—either stylistically, thematically, or through shared sensibilities. Many of these creators carry forward Gorey’s legacy of whimsy, darkness, and elegant morbidity:
🎩 Modern Artists and Authors Influenced by Edward Gorey
🕯️ Tim Burton
Medium: Film, animation, art
Connection: Burton has cited Gorey as a direct influence. Gorey’s aesthetic and tone are echoed in The Nightmare Before Christmas, Beetlejuice, and Corpse Bride.
What They Share: Gothic elegance, odd characters, visual storytelling.
📖 Lemony Snicket / Daniel Handler
Medium: Children’s novels with dark humor
Notable Work: A Series of Unfortunate Events
Connection: Literary tone, mordant wit, and tragic orphaned protagonists mirror Gorey’s absurd Victorian sensibility.
🎨 Roman Muradov
Medium: Illustration, graphic novels
Style: Dense line work, surreal ambiguity
Notable Work: Lost and Found, On Doing Nothing
Connection: Gorey-like drawing technique, philosophical tone, and atmospheric imagery.
🎭 Neil Gaiman
Medium: Novels, comics, screenwriting
Notable Works: Coraline, The Graveyard Book
Connection: Blends dark fairy-tale atmosphere with gentle melancholy; often paired with illustrators like Dave McKean who echo Gorey’s stylized inkwork.
🪶 Seth (Gregory Gallant)
Medium: Graphic novels
Notable Work: Clyde Fans, It’s a Good Life, If You Don’t Weaken
Connection: Nostalgic linework, attention to architectural detail, moody pacing.
🦉 Charles Santore
Medium: Children’s illustration
Style: Vintage, atmospheric realism with a tinge of drama
Connection: While more classical in execution, his fairytale and fable illustrations carry an aura of Gorey-esque tension.
🦇 Isabelle Arsenault
Medium: Picture books and graphic novels
Notable Work: Jane, the Fox and Me
Connection: Use of limited palettes, emotional storytelling, interiority and ambiguity reminiscent of Gorey’s quieter visual narratives.
🐈⬛ Jon Klassen
Medium: Children's picture books
Notable Work: I Want My Hat Back, The Rock From the Sky
Connection: Deadpan humor, deceptively simple visuals with a quietly sinister undertone.
💡 Bonus Mentions:
Emily Carroll – horror webcomics with narrative ambiguity and beautiful ink work.
Tom Gauld – dry, literary humor and stylized, minimal illustrations.
Edward Carey – novelist and illustrator of books like Heap House, deeply influenced by Gorey’s visual storytelling.
Description
This is epoch 9 (later epochs are overtrained). You can find other epochs at tensor.art/models/867683686915507898/Edward-Gorey-1-1024CapD8A4Cos5-2025-05-17-17:19:03-Ep-11
FLUX.1 - dev-fp8
Trigger: edwardgorey1 illustration.
Repeat 20 Epoch 5 (Trained on 34 512x512 images for 3400 steps)
Then for another 6 epochs with a smaller dataset at 1024x1024, for 7040 total steps
Unet LR: 0.0005 Scheduler: cosine Optimizer: AdamW
Network Dim: 8 Alpha: 4
Epoch Loss
1 0.350
2 0.343
3 0.334
4 0.326
5 0.324
edwardgorey1 illustration. A girl, wearing a white short-sleeved shirt and short jean shorts, walking a golden retriever, one hand in her pocket, the other holding the dog leash.
Switch to 1024x1024 training, removed two blurry low res images.
6 0.342
7 0.337
8 0.326
9 0.333<
edwardgorey1 illustration. A man and a blonde woman boxing at a wedding. They are wearing red boxing gloves.
Removed 5 images that have been well trained already to reduce the credit
usage. (fish in tub, snakes, snail/fish, flying cat, men wearing skirts)
Down to 27 images (* 20 2 27)=1080
10 0.330
11 0.328<- lowest
edwardgorey1 illustration. A young man stands under a stormy sky, looking disturbed, with a ghostly giant rabbit looming behind him. The background features a suburban street with eerie lighting, a broken clock, and a jet crashing from the sky