# Se7En 1995A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.## UsageInclude the trigger word *<code>s7n</code>** in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.## Prompt ExamplesHere are some prompt examples:"s7n, A man in a dark fedora and olive trench coat holds a revolver, his gaze directed off-camera with a serious expression, suggesting tension or confrontation. Behind him, a tall, lattice-style power transmission tower rises against a hazy, pale sky, with distant, indistinct hills on the horizon. The lighting is soft and directional, casting subtle shadows on his face and clothing, indicating either early morning or late afternoon. The color palette is muted, dominated by earthy browns, grays, and a washed-out blue-green sky, contributing to a somber, cinematic atmosphere. The camera frames him in a medium close-up, slightly angled from the side, emphasizing his profile and the weight of the moment.""s7n, A person in dark clothing stands beside a black helicopter on a rooftop helipad, appearing to prepare or inspect it, while another figure walks past in the foreground. The setting is an urban rooftop surrounded by tall buildings, with a distant tower visible against a hazy sky. The lighting is bright and high-contrast, suggesting midday sun casting sharp shadows, with the helicopter and foreground figures rendered in silhouette. Dominant colors are muted grays, blacks, and the pale blue of the sky, punctuated by the dark tones of the aircraft and clothing. The camera is positioned low, looking up at the helicopter, creating a sense of scale and tension, with the foreground figure partially obscuring the view.""s7n, A man wearing a dark fedora and a trench coat is gripping the steering wheel of a car, his face partially illuminated as he looks ahead through a rain-splattered windshield. The interior of the vehicle is dimly lit, with streaks of water obscuring the view outside, where faint yellow lights suggest a nighttime urban setting. The dominant colors are muted grays and blacks, punctuated by the wet glass and distant glow, captured from a tight over-the-shoulder angle that emphasizes the isolation and tension of the moment.""s7n, A man with graying hair sits in a high-backed office chair, intently reading a document held in both hands, his expression focused and serious. The setting is a dimly lit, formal office with dark wood furniture, a row of black file folders lined up on a shelf behind him, and a small framed photograph resting on the desk. Horizontal blinds cast striped shadows across the room, suggesting late afternoon or early evening light filtering through a window. The dominant colors are muted—grays, browns, and deep blacks—with the man’s light pinstripe shirt providing a subtle contrast. The camera frames him in a medium shot from a slightly low angle, emphasizing his posture and the weight of the moment.""s7n, in a dimly lit, vintage office, three men are engaged in a tense, quiet interaction: one stands near a filing cabinet holding papers, another sits at a large desk reviewing documents under a lamp, and a third leans back in his chair, observing. The room is furnished with dark wood furniture, including a tall cabinet, a desk with a typewriter, and multiple lamps casting warm, focused pools of light against the cool blue-gray tones of the window blinds. The lighting suggests late afternoon or early evening, with shadows deepening the mood, and the dominant colors are muted browns, blacks, and the soft glow of artificial light. The camera frames the scene from a medium-wide angle, capturing the spatial dynamics and the quiet intensity of the moment.""s7n, A grotesque, surgically altered body lies motionless on a clinical surface, its pale, swollen flesh marked by jagged, blood-stained incisions and exposed tissue, suggesting a recent, violent procedure. The setting is a sterile, dimly lit operating theater, with faint green surgical drapes and metallic instruments visible in the periphery, emphasizing the clinical horror. Cold, clinical lighting casts sharp shadows and highlights the glistening, wet texture of the skin and pooling blood, creating a grim, high-contrast atmosphere. The frame is tightly cropped, focusing on the torso from a slightly elevated angle, intensifying the visceral, unsettling detail of the wounds and the surrounding environment. Dominant colors are muted grays, sickly whites, and deep crimson blood, reinforcing the macabre tone.""s7n, A man in a dark fedora and beige trench coat sits in the back of a car, intently examining a small object in his hands, possibly a weapon or tool. Rain streaks the window beside him, blurring the outside world into a gray, watery haze, while the interior of the car is dimly lit with cool, muted tones. The camera frames him in a tight, over-the-shoulder shot from the passenger side, emphasizing his focused posture and the reflective sheen of the wet glass. Dominant colors are muted grays, browns, and blacks, contributing to a somber, tense atmosphere.""s7n, A man in a blood-stained white shirt runs forward with arms outstretched, surrounded by armed individuals in a tense standoff within a dimly lit, marble-floored interior space. The setting features a reception desk, wooden pillars, and a staircase railing in the foreground, with warm, focused lighting from wall-mounted globe fixtures casting long shadows. The dominant colors are muted grays, browns, and the stark white of the man’s shirt, contrasted by the dark tones of the environment. The camera is positioned at a high angle, looking down from a staircase, framing the scene with a sense of urgency and confinement.""s7n, A man in a pinstripe shirt and waistcoat sits back in a leather office chair, holding a sheet of paper in one hand while gesturing expressively with the other, his face animated as if in mid-conversation or explanation. The setting is a dimly lit office with dark wood furniture, lined shelves holding bound files and books, and horizontal blinds casting striped shadows across the window behind him. The lighting is moody and directional, emphasizing the man’s face and hands while leaving the periphery in shadow, suggesting late afternoon or early evening. Dominant colors are muted browns, grays, and deep blues, with the man’s white shirt and dark tie providing contrast. The camera frames him in a medium shot from a slightly low angle, capturing his upper body and the surrounding desk""s7n, A man in a dark suit and patterned tie leans forward over a desk, his gaze fixed intently on something out of frame, suggesting deep concentration or investigation. The setting is a dim, cluttered office with a vintage-style desk lamp casting a warm glow on his face and the surface before him, while natural light from a window behind him creates soft highlights and shadows. The dominant colors are muted browns, grays, and the warm yellow of the lamp’s illumination, contributing to a somber, introspective mood. The camera frames him in a medium close-up, slightly angled from the side, emphasizing his focused posture and the intimate, confined space around him.""s7n, A man in a plaid blazer and loosened tie sits relaxed in a chair, holding a pen and gazing thoughtfully forward, with a white mug beside him on a small table. The setting is a dimly lit, cluttered office space with other figures moving in the background, including one holding papers, and a desk lamp casting a focused glow. The lighting is warm and subdued, suggesting late afternoon or early evening, with muted tones of beige, gray, and white dominating the scene. The camera frames him in a medium close-up, slightly angled, emphasizing his contemplative expression against the busy, out-of-focus environment.""s7n, A man with short, tousled hair and a light beard stands in profile, his mouth slightly open as if mid-sentence, wearing a crisp white shirt, dark suspenders, and a patterned tie. Behind him, a dimly lit interior features dark wooden shelves holding rows of books and two large, frosted glass panels that diffuse a cool, bluish light. The ceiling above has exposed wooden beams, and the overall lighting is low and moody, suggesting an evening or nighttime setting. The dominant colors are muted—whites, deep browns, and cool grays—with the warm tones of the wood ceiling providing contrast. The camera frames him in a medium close-up, angled slightly from the side, emphasizing his expression and the texture of his clothing against the shadowy background.""s7n, A wet, empty urban street stretches beneath a concrete overpass, flanked by a weathered “CITY LIMIT” sign indicating population and elevation, while a green directional sign above marks distances to Vernon Ave and 51st Street. The scene is bathed in the soft, directional light of early morning or late afternoon, casting long shadows and reflecting off the damp asphalt, with muted grays, dark greens, and pale concrete tones dominating the palette. Shot from a low, slightly angled perspective, the frame emphasizes the imposing architecture of the overpass and the quiet desolation of the road ahead.""s7n, A black police helicopter, marked with the number 4388, hovers low over a city street, its rotors blurred by rapid motion as it banks sharply. The urban environment below is streaked with motion blur, revealing indistinct buildings and pavement, while the helicopter’s cockpit and landing skids are sharply defined against the haze. The scene is lit by dim, diffused light, suggesting late afternoon or early evening, casting muted shadows and giving the frame a gritty, monochromatic tone dominated by grays and blacks. Shot from a low, dynamic angle, the camera tracks alongside the aircraft, emphasizing its speed and the tension of its maneuver.""s7n, A man in a dark jacket over a white shirt and patterned tie walks purposefully down a corridor, his gaze directed slightly downward and to the side. The walls are lined with warm-toned wood paneling, and blurred figures in the background suggest a busy, public indoor space, possibly an office or institutional building. The lighting is soft and diffused, casting gentle shadows and indicating an interior scene during daytime. Dominant colors are earthy browns and muted grays, with the man’s dark outerwear contrasting against the lighter wall tones. The camera frames him in a medium shot, slightly off-center, with a shallow depth of field that keeps him in sharp focus while rendering the background indistinct.""s7n, A man in a dark suit and patterned bow tie sits upright in a plush, tufted leather chair, his expression somber and his gaze fixed forward, suggesting deep contemplation or tension. The setting is an intimate, dimly lit room with textured, muted walls, and the chair’s rich brown leather contrasts with the man’s crisp, light-striped shirt. The lighting is low and directional, casting soft shadows across his face and emphasizing the solemn mood, likely set during evening or night. Dominant colors are deep browns, charcoal, and off-white, creating a restrained, moody palette. The camera frames him in a tight, centered medium close-up, focusing on his upper body and face to amplify the emotional weight of the moment.""s7n, A vintage-style fingerprint analysis monitor displays two side-by-side yellow-inked prints labeled “TARGET” and “SAMPLE,” with the left print marked “NO MATCH” and the right still “SEARCHING.” The device, branded “AMDEK VIDEO-300A,” sits in a dim, utilitarian room with a gray metal cabinet visible to the left, suggesting a forensic or investigative workspace. The lighting is low and focused, casting a cool, blue-gray ambient glow that contrasts with the bright yellow of the prints, emphasizing the screen’s content. The camera is tightly framed on the monitor’s screen, angled slightly from the side, drawing attention to the forensic comparison in progress.""s7n, A bald man in a red shirt sits in the passenger seat of a car, gazing thoughtfully out the window with a pensive expression. The car’s interior is dimly lit, contrasting with the overcast, gray daylight outside, where blurred urban structures and parked vehicles are visible through the glass. The camera frames him in a tight close-up from the side, emphasizing his profile and the quiet tension of the moment, while the muted tones of gray, black, and red dominate the scene.""s7n, A man in a dark fedora and a muted brown coat stands in a dimly lit interior, his gaze fixed intently forward as if observing something unseen. The room features muted walls, a framed picture on the wall behind him, and a partially visible curtain to the right, suggesting a private, possibly tense space. The lighting is low and directional, casting deep shadows across his face and the surroundings, with a faint glow from an unseen source above, indicating nighttime or a heavily shaded environment. The dominant colors are dark browns, grays, and blacks, contributing to a somber, suspenseful mood. The camera frames him in a medium close-up, slightly angled from the side, emphasizing his focused expression and the weight of the moment.""s7n, A man with short dark hair and a light stubble stands indoors, looking down and slightly to his right with a contemplative expression, his hands likely resting at his sides. The setting appears to be a dimly lit room with muted beige walls, a ceiling with exposed beams, and a window with white blinds visible in the background. The lighting is low and warm, casting soft shadows and suggesting late afternoon or early evening. Dominant colors are earthy tones—beige, gray, and soft brown—with the man’s heather gray long-sleeved shirt blending into the subdued palette. The camera frames him in a medium shot from a slightly low angle, emphasizing his posture and the quiet atmosphere."## Training| | ||---|---|| Base model | Krea 2 (trained on Raw) || Type | Style LoRA || Dataset | 215 images || Steps | 2000 || Network rank / alpha | 32 / 32 || Learning rate | 0.0002 || Optimizer | adamw8bit || Resolutions | 512 / 1024 |## Generation settingsTrained on Krea 2 Raw, and transfers to Krea 2 Turbo for fastergeneration.- Raw: ~30 steps, guidance 3.5- Turbo: ~8 steps, guidance 1.0The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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