<h1 id="simon-stalenhag-the-labyrinth-sg28n6uqh">Simon Stålenhag The Labyrinth</h1>This Flux.1 Dev LoRA was trained on some of his "Labyrinth" images.<h3 id="trigger:-yfg-simonlabyrinthuse-between-0.40-and-0.70-strength.-however-i-have-gotten-good-results-up-to-1.00.-anything-beyond-that-is-hit-or-miss.-the-lora-can-have-a-great-moody-effect-on-non-related-prompts-such-as-that-of-close-ups-of-faces-and-other-non-relevant-subjects.-epoefznt2">Trigger: YFG-SimonLabyrinth Use between 0.40 and 0.70 strength. However, I have gotten good results up to 1.00. Anything beyond that is hit or miss. The LoRA can have a great moody effect on non-related prompts such as that of close-ups of faces and other non-relevant subjects.</h3><h3 id="some-example-prompts:-6llden8o0">Some example prompts:</h3><ol><li>A digital artwork depicting a surreal, post-apocalyptic landscape. The scene is shrouded in a thick, eerie mist that obscures the background, creating a sense of mystery and foreboding. In the foreground, two figures sit side by side, facing away from the viewer. The person on the left is wearing a yellow jacket and appears to be a child, while the person on the right, slightly taller, is clad in dark, heavy clothing, possibly a hoodie or jacket. They are seated on the ground amidst tall, green grass dotted with white dandelions, adding a touch of natural beauty to the desolate setting.In the background, several twisted, skeletal machines rise from the mist, their dark, metallic forms stark against the pale, foggy atmosphere. These machines have elongated, serpentine bodies and appear to be in various states of decay, with some parts rusted or broken. The central focus is a large, dark sphere hovering above the scene, emitting a faint, ominous glow. The overall color palette is muted and cool, dominated by shades of green, grey, and black, enhancing the eerie and otherworldly feel of the image. The style of the artwork is highly detailed and realistic, with a strong emphasis on texture and atmosphere.</li><li>This is a digital painting depicting a surreal, desolate landscape. The foreground features a vast, grassy field with tall, golden-brown grasses swaying gently. In the midground, a small, indistinct figure in a yellow coat and dark pants walks away from the viewer, carrying a large sack, possibly a child or a small adult. The background is dominated by two massive, mechanical structures resembling twisted, organic forms. These structures are dark, with a metallic sheen and intricate, almost rib-like protrusions. The sky is a pale, muted green, casting a soft, eerie light over the entire scene. The atmosphere is mysterious and haunting, with a sense of abandonment and otherworldliness.</li><li>This image is a digital painting in a surreal, sci-fi style. It depicts a desolate, foggy landscape. The background features two large, spherical water towers with pipes extending from their tops, shrouded in mist. One of the towers has a very large sphere atop, made of metal, showing a single, vivid lightning bolt emanating from the edge of the sphere and striking the ground. The ground is wet and reflective, with puddles scattered across the scene. The overall color palette is muted greens and blues, creating a cold, eerie atmosphere. The composition is minimalist, with a strong focus on the dramatic lightning strike.</li><li>A lone figure in a white lab coat and black pants stands on a desolate, rubble-strewn street, facing a massive, mechanical spider creature with intricate, glowing wires. The scene is set in a post-apocalyptic urban landscape with crumbling buildings on either side, under a hazy, greenish sky. The atmosphere is eerie and dystopian, with a sense of impending danger.</li><li>This is a photograph depicting a minimalist interior scene. The image features a beige wall occupying the majority of the frame. On the right side, there is a small, dark blue wall-mounted telephone with a coiled black cord hanging down. The phone's receiver is off the hook, resting on the cord. Below the phone, there are two white light switches, one above the other, positioned horizontally. To the right of the switches, a small, rectangular, dark brown panel is visible, likely a door or a section of the wall. Above this panel, there is a small, green exit sign with a white arrow pointing to the right, indicating the direction of an exit. The lighting in the image is soft, casting minimal shadows and giving the scene a calm, uncluttered appearance. The overall color palette is neutral, with the beige wall, dark blue phone, white switches, and green exit sign providing a subtle contrast. The photograph has a clean, modern aesthetic, emphasizing simplicity and functionality.</li></ol> Please post your image generations in the gallery below.Thank you.

YFG Simon Stålenhag Labyrinth [FLUX]

Trained on 53 high resolution images

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