<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>Transporter 3 2008</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>trnsprtr32008</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"trnsprtr32008, A dark sedan navigates a winding asphalt road, its headlights on as it curves toward the viewer, flanked by red-and-white roadside markers. The road is bordered by vibrant green grass and patches of golden-yellow gorse, leading toward a dense, dark forest under a dramatic, overcast sky with heavy gray clouds. The lighting is diffused and moody, suggesting late afternoon or early evening, with the dominant colors being deep greens, earthy yellows, and the gray of the road and sky. The camera is positioned low and centered on the road, creating a sense of immersion and forward motion as the car approaches."</blockquote><blockquote>"trnsprtr32008, A person in a dark suit is seated at a wooden desk, intently writing with a pen on a document, their left hand steadying the paper. The setting is a dimly lit, vintage-style office with a brass lamp, a stack of books, and several pens in a holder visible in the background. The lighting is low and moody, casting deep shadows and highlighting the subject’s hands and the sheen of the desk surface, suggesting late afternoon or evening. Dominant colors are muted browns, blacks, and metallic golds, creating a somber, focused atmosphere. The camera is positioned at a close, over-the-shoulder angle, emphasizing the act of writing and the texture of the paper and desk."</blockquote><blockquote>"trnsprtr32008, two men in dark suits are seen from behind, entering a grand hotel through glass doors, their silhouettes framed against the opulent interior. The lobby is illuminated by large, cascading crystal chandeliers casting a warm, golden glow, while ornate yellow and blue hotel signs with Cyrillic lettering flank the entrance. The scene is set at night, with the exterior dark and the interior brightly lit, creating a stark contrast. Dominant colors are deep blacks and rich golds, with the reflective glass adding subtle highlights. The camera is positioned low and centered, capturing the men’s entry as they move toward the glowing lobby, emphasizing the grandeur of the space ahead."</blockquote><blockquote>"trnsprtr32008, A hand grips and shifts a sleek, metallic gear lever inside a modern car’s interior, suggesting motion or preparation for driving. The surrounding console features polished silver trim, a digital display with illuminated buttons, and a visible “ENGINE STOP” button, all set against dark upholstery. The lighting is dim and focused, casting sharp reflections on the gear shifter and console, implying a nighttime or low-light setting. Dominant colors are cool metallic grays and blacks, with subtle red indicator lights adding contrast. The camera is tightly framed, angled slightly upward from the center console, emphasizing the hand’s action and the tactile details of the gear mechanism."</blockquote><blockquote>"trnsprtr32008, two men are intently focused on computer monitors in a dimly lit surveillance control room, analyzing live feeds and a localized map display. The walls are lined with multiple small screens showing various outdoor scenes, including roads and buildings, while two larger monitors in the foreground display a close-up facial image and a detailed city map with a highlighted location. The lighting is low and cool-toned, dominated by the blue and green glow of the screens, suggesting a nighttime or late evening setting. The camera is positioned over the shoulder of one man, offering a clear view of the monitors and the other man’s focused posture, emphasizing the tense, high-stakes atmosphere."</blockquote><blockquote>"trnsprtr32008, two men in formal suits are seated at a polished dark wooden table, engaged in a serious business meeting; one holds a stack of documents while the other rests his hands clasped near a white porcelain coffee cup on a saucer. The scene is lit with cool, dim ambient light that casts soft shadows, suggesting an indoor setting during late afternoon or evening. Dominant colors are muted grays, deep blacks, and the stark white of the cup and cuffs, contrasted by the reflective sheen of the table. The camera is tightly framed at a low angle, focusing on hands, documents, and the cup, emphasizing tension and quiet deliberation."</blockquote><blockquote>"trnsprtr32008, A white police tow truck, marked with bold black “POLICE” lettering, is hauling a sleek black sedan on its flatbed, with the sedan’s rear wheel and side profile visible. The scene unfolds under a bright, clear blue sky, with a stone-clad building and greenery in the background, suggesting a sunny daytime setting. The lighting casts sharp, defined shadows on the truck’s cab, emphasizing the high contrast between the white vehicle and the dark car, while the camera captures a close, angled view from the side, focusing on the truck’s door and side mirror."</blockquote><blockquote>"trnsprtr32008, A man in a dark jacket leans out of a car’s open door, his gaze directed forward, while another figure in sunglasses and a cap dominates the foreground, slightly out of focus. The scene unfolds on a roadside with a green railing and a stack of firewood visible in the background, suggesting a rural or wooded area. The lighting is soft and diffused, casting muted shadows and indicating either early morning or late afternoon. Dominant colors are earthy browns, muted greens, and dark tones, contributing to a somber, cinematic atmosphere. The camera employs a shallow depth of field, keeping the foreground figure blurred while rendering the man in the car in sharper focus, creating a sense of immediacy and tension."</blockquote><blockquote>"trnsprtr32008, A woman in a light-colored short-sleeved shirt and a shimmering gold miniskirt walks confidently toward a group of armed men standing on a bridge, her high heels clicking on the asphalt. The scene unfolds on a narrow, paved bridge flanked by green metal railings, with dense, leafless trees forming a backdrop under bright, direct sunlight that casts sharp shadows. The dominant colors are earthy greens and browns from the foliage and bridge, contrasted by the woman’s gold skirt and the dark uniforms of the men, who stand near two parked SUVs. The camera is positioned low and centered, capturing the woman’s approach head-on as she moves toward the group, emphasizing the tension and scale of the confrontation."</blockquote><blockquote>"trnsprtr32008, A massive explosion erupts violently at night, sending a towering plume of orange and yellow flames upward while showering the air with glowing embers and debris. The scene is set outdoors on what appears to be a barren, dusty ground with a low stone or concrete barrier in the foreground and a faintly lit utility pole visible on the right. The lighting is stark and dramatic, dominated by the explosion’s intense glow against the pitch-black sky, casting sharp highlights on the surrounding terrain. The dominant colors are fiery orange, bright yellow, and deep black, with scattered sparks adding texture. The camera captures the event from a low, wide-angle perspective, emphasizing the scale and chaotic energy of the blast."</blockquote><blockquote>"trnsprtr32008, A black Audi W12 sedan, covered in dirt, sits stationary in a grassy field, its front grille and headlights facing the viewer. The setting is an open, rural landscape under an overcast sky, with sparse trees and shrubs in the background. The lighting is diffused and even, suggesting late afternoon or early evening, with muted greens, grays, and the dark metallic sheen of the car dominating the palette. The camera is positioned low and centered, emphasizing the vehicle’s imposing front profile and creating a sense of grounded presence."</blockquote><blockquote>"trnsprtr32008, A person in a teal jacket holds a small, open wallet or booklet, their hand positioned in the foreground as if offering or examining its contents. Behind them, another individual in a yellow shirt and white-collared jacket is partially visible, suggesting a moment of interaction or transaction. The scene is dimly lit with a cool, bluish-green tint, casting shadows and emphasizing the muted tones of the clothing and surroundings. The camera focuses tightly on the hand and object, blurring the background to isolate the action, while the dominant colors are teal, yellow, and black, creating a stark, cinematic contrast."</blockquote><blockquote>"trnsprtr32008, A man in a blue shirt walks past a stone wall while another person in a red-and-white uniform moves toward an open ambulance door, partially obscured by the vehicle. The scene is set at night under dim, artificial lighting, casting long shadows across a gravel ground littered with rubble near a broken wall. Dominant colors are the red and white of the ambulance, the muted grays and browns of the stone and debris, and the deep blue of the shirt. The camera is positioned at a low angle, capturing the figures in motion with the ambulance door framing the right side of the shot."</blockquote><blockquote>"trnsprtr32008, A bald man in a dark jacket is seated inside a car, gripping the seatbelt with one hand while extending the other toward the open window, as if adjusting or interacting with something outside. The interior of the vehicle is dimly lit, with a cold, overcast exterior visible through the window, suggesting a snowy or wintry environment. The lighting is muted and gray, casting shadows across the man’s face and the car’s interior, emphasizing a tense or contemplative mood. The dominant colors are dark grays and blacks, with a pale, icy white from the outside. The camera is positioned from inside the car, angled slightly upward, capturing the man’s profile and the top edge of the windshield and dashboard."</blockquote><blockquote>"trnsprtr32008, A hand holds a handheld device displaying a tactical map with a green-tinted, night-vision-style aerial view of a rural landscape. Two marked positions — “TARGET POSITION” in red and “YOUR POSITION” in yellow — are clearly indicated on the screen, with crosshairs and data panels overlaying the terrain. The lighting is dim, suggesting nighttime or low-light conditions, with the screen’s glow being the primary illumination source. The dominant colors are shades of teal and black, with red and yellow highlights for key markers. The camera is tightly framed on the device’s screen, angled slightly from the side to capture both the display and the user’s thumb."</blockquote><blockquote>"trnsprtr32008, in a dimly lit, opulent office with deep blue damask wallpaper and rich wooden furniture, four men in formal suits are engaged in a tense interaction; one sits hunched over a desk, another stands gesturing emphatically, while two others observe from nearby. The room is filled with period details: a framed portrait on the wall, a brass desk bell, scattered papers, and a small photo frame on the desk. The lighting casts dramatic shadows, suggesting late afternoon or early evening, with warm tones from the wood contrasting against the cool blue walls. The camera captures the scene from a medium-wide angle, positioned slightly low to emphasize the weight of the moment and the formal, confined space."</blockquote><blockquote>"trnsprtr32008, A uniformed security guard stands beside a sleek black Audi A8, inspecting or interacting with the vehicle near a gated entrance. The setting is a sunlit parking area with other cars, including a red sedan and a silver hatchback, and green-and-white striped bollards marking the perimeter. The warm, golden light suggests late afternoon, casting long shadows across the pavement and highlighting the glossy finish of the cars. Dominant colors are deep black, muted grays, and the vibrant green of the bollards, contrasted by the bright sky. The camera is positioned at a low angle, emphasizing the car’s imposing presence and the guard’s focused posture."</blockquote><blockquote>"trnsprtr32008, A black Audi sedan, covered in mud and grime, is captured mid-motion, its front wheel lifted off the ground as if caught in a sudden, forceful maneuver. The vehicle’s silver multi-spoke alloy wheel and headlight are sharply detailed against the blurred, wet background of a forested roadside, suggesting a high-speed chase or escape. The lighting is dim and overcast, casting a cool, grayish tone over the scene, with the car’s dark paint and muddy texture dominating the palette. The camera is positioned at a low, close-up angle, emphasizing the wheel’s motion and the car’s aggressive stance."</blockquote><blockquote>"trnsprtr32008, A faint, silhouetted lattice structure—likely a bridge or industrial framework—dominates the background, partially obscured by dense fog or mist that blankets the scene. The foreground is a smooth, indistinct expanse of pale, muted tones, suggesting a frozen or waterlogged surface. The lighting is diffused and soft, casting no sharp shadows, indicating either early morning or late evening under overcast or foggy conditions. The dominant color palette is monochromatic, composed of off-white, cream, and pale gray, creating a hazy, ethereal atmosphere. The camera is positioned at a low angle, looking slightly upward toward the structure, emphasizing its looming, ghostly presence against the obscured horizon."</blockquote><blockquote>"trnsprtr32008, A close-up view of horizontal blinds partially open, with streaks of light filtering through the slats, suggesting motion or a moving vehicle. The setting appears to be an interior space, possibly a train or subway car, with the blinds casting sharp, elongated shadows across a dark surface. The lighting is dim and artificial, with a warm, glowing highlight on the upper right, indicating either early morning or late evening. Dominant colors are deep blacks and grays, punctuated by the bright, cool white of the light streaks. The camera is positioned at a low angle, looking upward through the blinds, emphasizing the linear geometry and the interplay of light and shadow."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 300 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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