浮世絵(Ukiyo-e) Style浮世絵は、日本の江戸時代初期に成立した、絵画のジャンルのひとつUkiyo-e is a genre of Japanese art that flourished from the 17th through 19th centuries.【喜多川歌麿：Utamaro】喜多川歌麿（1753年-1806年10月31日）は、江戸時代の日本で活躍した浮世絵師。狂歌絵本や春画で人気得て、美人画で大人気を博した。幕府は浮世絵が風紀を乱すものと考え、規制を加えたが、取り締まりの裏をかいた工夫を次々に発表した反骨の絵師。Kitagawa Utamaro was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his bijin ōkubi-e "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated books of insects【葛飾北斎:富嶽三十六景(Katsushika Hokusai:Thirty-six Views of Mount Fuji)】葛飾北斎は、江戸時代後期の浮世絵師。『冨嶽三十六景』は、葛飾北斎による富士図版画集。富嶽三十六景の好評によって、名所絵が役者絵や美人画と並ぶジャンルとして確立Katsushika Hokusai was an ukiyo-e artist in the late Edo period. Thirty-six Views of Mount Fuji is a collection of illustrations of Mount Fuji by Katsushika Hokusai. The popularity of Thirty-six Views of Mount Fuji established famous landscape paintings as a genre on a par with actor paintings and beautiful women paintings.【歌川広重:東海道五十三次(Utagawa Hiroshige:The Fifty-three Stations of the Tōkaidō)】歌川広重は、江戸時代の浮世絵師。風景を描いた木版画で大人気の画家となり、ゴッホやモネなどの西洋の画家にも影響を与えた。『東海道五十三次』は、東海道の宿駅を中心とした景観や習俗を描いた、浮世絵木版画Hiroshige Utagawa was an ukiyo-e artist of the Edo period. He became a hugely popular artist with his woodblock prints of landscapes, and influenced Western artists such as Van Gogh and Monet. "The Fifty-three Stations of the Tokaido" is a collection of ukiyo-e woodblock prints depicting the scenery and customs of the post stations along the Tokaido.【歌川国貞(Utagawa Kunisada)】歌川 国貞は、江戸時代の浮世絵師Utagawa Kunisada, also known as Utagawa Toyokuni III, was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan

浮世絵(Ukiyo-e) Style

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