helps generate outdoor patio scenes, from hidden vantage points.think poolside, back garden, veranda, beach, balconies, rooftops... the lora doesn't care, it's trained moreso on the aesthetic and it's down to you to structure the scene in the way you want.here's an approach that worked for me. You dont have to use all of these, but the ordering of each component is somewhat important to get the overall composition. or yoloing it someones works.first the overall subject and composition:<pre><code>{high-angle|side-angle|dynamic-angle|low-angle|oblique-angle|} {candid photograph of|incidental snapshot of|amateur documentary photograph of} a woman {wearing {underwear|lingerie|neglige|robe|bikini|nightie}|} {relaxing|sunbathing|reading|using a phone|drinking a beverage|talking with someone|resting in an outdoor chair|looking through a magazine|quietly occupying the space} {in a private backyard|on a secluded patio|on a balcony|beside a swimming pool|on a wooden deck|in a private garden|on a rooftop terrace|in a quiet courtyard} {, with negative space giving a sense of isolation and privacy} { and her expression is captured in the moment unflattering mid-speaking unexpected reacting|}.
</code></pre>then something to give a sense of distance and voyeuristic tension:<pre><code>{{Photographed from a considerable distance|Captured from far across the garden|Seen from a neighbouring terrace|Photographed from an adjacent balcony|Captured from the opposite side of the pool area|Seen from beyond a garden wall|Photographed from several metres away|Observed from a distant elevated position|Captured from outside the immediate space}, {with substantial space separating camera and subject|with the subject relatively small within the frame|with a large amount of environment surrounding the subject|with the camera clearly positioned outside the immediate area|with the subject appearing distant and unaware of the photographer}.|}.
</code></pre>something in the foreground to obscure the view:<pre><code>{{The view is partially blocked by a nearby wall|A doorway edge occupies the immediate foreground|A window frame creates a distant viewing aperture|A balcony wall blocks part of the lower scene|A garden fence interrupts the line of sight|Large foreground foliage obscures portions of the view|Nearby architectural structures create a narrow opening onto the scene|A patio wall conceals part of the subject|A foreground railing cuts across the composition|A partially open door leaves only a restricted view|A nearby building corner blocks one side of the frame|Outdoor furniture obstructs the lower portion of the view}.|}
</code></pre>tell the model how the foreground should obscure the view:<pre><code>{{The obstruction is very close to the camera|The foreground obstruction is noticeably larger than the distant subject|The camera appears to be positioned behind the obstruction|The subject is visible only through a gap|Only an imperfect line of sight reaches the subject|The obstruction creates strong foreground depth|The distant subject is framed incidentally between nearby structures}, {producing a feeling of physical separation|making the photograph feel discreet and observational|creating a restricted glimpse into the private space|giving the impression of an unintended line of sight|making the viewer feel removed from the scene|creating visual tension between concealment and visibility}.|}
</code></pre>reinforce the candid tone:<pre><code>{The subject is unaware of the camera|The subject remains absorbed in the mundane activity|The moment appears completely unposed|The photographer appears to be observing from outside the immediate space|There is no direct interaction with the camera}.
</code></pre>enhance the composition:<pre><code>{Wide environmental composition|distant medium-long shot|high-angle environmental framing|long-lens-looking perspective|elevated overview with the subject relatively small|partially concealed wide shot}, {with the surrounding architecture occupying much of the frame|with foreground and background layers clearly separated|with the subject embedded within the environment|with substantial negative space around the subject}.
</code></pre>enhance scene details:<pre><code>{Private residential patio|ordinary backyard|hotel pool area|quiet balcony|garden terrace|wooden deck|rooftop terrace|semi-enclosed courtyard}, {stone paving|weathered brick|wooden decking|stucco walls|concrete surfaces|terracotta tiles}, {garden furniture|sun loungers|tables and chairs|potted plants|towels|bags|umbrellas|drying racks|miscellaneous household objects}.
</code></pre>enhance lighting:<pre><code>{Bright natural daylight|strong midday sunlight|warm afternoon sunlight|dappled sunlight through foliage|slightly hazy summer daylight}, {casting long environmental shadows|creating sharp architectural shadows|producing patches of light and shade|revealing the depth of the foreground obstruction}.
</code></pre>overall photographic style:<pre><code>{Amateur smartphone photograph|older compact-camera snapshot|casual holiday photograph|informal documentary photograph|slightly dated digital photograph}, {slightly soft detail|mild digital noise|subtle atmospheric haze|minor exposure imperfections|natural unprocessed colour|slightly washed highlights|imperfect framing|modest lens compression}, {unpolished realism|ordinary consumer-camera appearance|authentic candid photography}.
</code></pre><hr />Yes, I know, it's frustrating seeing a lora on early access. Just wait a few days and it's free. Or, if you like this Lora and want to support me creating more, please buy-into early access. It's not much buzz and it helps me train more.I dont make any money from any of this. I dont have a paid-account on Civitai.This is a hobby for me and the training is paid for in buzz. The same buzz I get from early access downloads, tips, etc... mainly early access downloads. Without that, I have no buzz. No buzz, means no training. No training... well, no loras.I do this because I enjoy it. I have a highly paid day job and this is just the stuff I enjoy doing on the side, lol. The moment it stops being fun is the moment I stop bothering with it.

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