Trained on seventeen illustrations created by <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Aubrey_Beardsley">Aubrey Beardsley</a> (<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Help:IPA/English">/ˈbɪərdzli/</a> <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Help:Pronunciation_respelling_key">BEERDZ-lee</a>; 21 August 1872 – 16 March 1898) for <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Le_Morte_d%27Arthur">Le Morte d'Arthur</a> by <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Thomas_Malory">Thomas Malory</a>. For his works, please go to<ul><li><a target="_blank" rel="ugc" href="https://www.eamesfineart.com/artists/152-aubrey-beardsley/overview/">https://www.eamesfineart.com/artists/152-aubrey-beardsley/overview/</a></li><li><a target="_blank" rel="ugc" href="https://www.wikiart.org/en/aubrey-beardsley">https://www.wikiart.org/en/aubrey-beardsley</a></li></ul>The training images all have these fancy frames, so depending on the prompt (and I am not sure which one will cause it, probably having to do with medieval theme?) you may or may not get that frame. With the frame there is usually a caption text box, which will be filled with nonesense text unless you try putting this into your prompt: "Caption text box at bottom left corner says '...'". But there is no guarantee that this will work.From ChatGPT:<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/File:Aubrey_Beardsley_by_Frederick_Hollyer,_1893_(cropped).jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Aubrey_Beardsley_by_Frederick_Hollyer%2C_1893_%28cropped%29.jpg/220px-Aubrey_Beardsley_by_Frederick_Hollyer%2C_1893_%28cropped%29.jpg" /></a>Portrait by <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Frederick_Hollyer">Frederick Hollyer</a>, 1893<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/File:Blanche_Beardsley.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Blanche_Beardsley.jpg/250px-Blanche_Beardsley.jpg" /></a>Aubrey Beardsley by <a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Jacques-%C3%89mile_Blanche">Jacques-Émile Blanche</a>, oil on canvas, 1895 (<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/National_Portrait_Gallery,_London">National Portrait Gallery</a>, London)<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/File:Aubrey_Beardsley_ca._1895.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/4/45/Aubrey_Beardsley_ca._1895.jpg/250px-Aubrey_Beardsley_ca._1895.jpg" /></a>Aubrey Beardsley, c. 1894–1895<a target="_blank" rel="ugc" href="https://en.wikipedia.org/wiki/Aubrey_Beardsley">Aubrey Beardsley</a> (21 August 1872 – 16 March 1898) was a British illustrator and writer, known for his black-and-white ink drawings that combined eroticism, decadence, and the grotesque with intricate, highly stylized designs. A key figure of the Aesthetic Movement and Art Nouveau, his work was often provocative, satirical, and heavily influenced by Japanese woodblock prints (ukiyo-e) and symbolism. Despite his short life—he died at age 25 from tuberculosis—Beardsley left a lasting impact on illustration, graphic design, and visual storytelling.<hr /><h2 id="early-life-and-influences-vkfwnn2ji">Early Life and Influences</h2><ul><li>Born: August 21, 1872, in Brighton, England.</li><li>Showed artistic talent from an early age and was encouraged by Pre-Raphaelite artist Edward Burne-Jones to pursue art.</li><li>He was self-taught, but attended the Westminster School of Art in London for a short period.</li><li>Influenced by Japanese ukiyo-e prints, the Pre-Raphaelites, and Symbolist art, which shaped his signature bold, linear style.</li></ul><hr /><h2 id="artistic-career-5zsue87pm">Artistic Career</h2><h3 id="breakthrough-and-the-yellow-book-(1894-1895)-lnim2sqrm">Breakthrough and The Yellow Book (1894–1895)</h3><ul><li>In 1893, Beardsley gained fame after illustrating Thomas Malory’s Le Morte d’Arthur. His detailed, decorative approach was seen as radical.<a target="_blank" rel="ugc" href="https://upload.wikimedia.org/wikipedia/commons/a/a3/How_Morgan_le_Fay_Cave_a_Shield_to_Sir_Tristram.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a3/How_Morgan_le_Fay_Cave_a_Shield_to_Sir_Tristram.jpg/500px-How_Morgan_le_Fay_Cave_a_Shield_to_Sir_Tristram.jpg" alt="File:How Morgan le Fay Cave a Shield to Sir Tristram.jpg" /></a></li><li>He became art editor of The Yellow Book, a magazine associated with Aestheticism and Decadence, featuring avant-garde literature and art.<a target="_blank" rel="ugc" href="https://upload.wikimedia.org/wikipedia/commons/a/ac/Aubrey_Beardsley_-_Masquerade.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Aubrey_Beardsley_-_Masquerade.jpg/716px-Aubrey_Beardsley_-_Masquerade.jpg" alt="File:Aubrey Beardsley - Masquerade.jpg" /></a></li><li>His highly erotic and satirical illustrations shocked Victorian audiences, and he was dismissed from The Yellow Book in 1895 after being falsely linked to Oscar Wilde’s scandal.</li></ul><h3 id="collaboration-with-oscar-wilde-and-salome-(1894)-75s90avgs">Collaboration with Oscar Wilde &amp; Salomé (1894)</h3><ul><li>Beardsley illustrated Wilde’s French play Salomé, producing some of his most famous and controversial works.<a target="_blank" rel="ugc" href="https://upload.wikimedia.org/wikipedia/commons/c/cb/Salom%C3%A9-_a_tragedy_in_one_act_pg_79.jpg"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Salom%C3%A9-_a_tragedy_in_one_act_pg_79.jpg/427px-Salom%C3%A9-_a_tragedy_in_one_act_pg_79.jpg" alt="File:Salomé- a tragedy in one act pg 79.jpg" /></a></li><li>The drawings were heavily erotic and grotesque, featuring androgynous figures, elongated forms, and elaborate patterns.</li><li>His depiction of Salomé with the severed head of John the Baptist became one of the most iconic images of the period.</li></ul><h3 id="later-work-and-the-savoy-(1896-1897)-tz6l1x4m7">Later Work and The Savoy (1896–1897)</h3><ul><li>After leaving The Yellow Book, Beardsley co-founded The Savoy, a literary and arts magazine.</li><li>His later illustrations became even more abstract and exaggerated, with sinuous lines and bold contrasts.</li><li>His health deteriorated due to tuberculosis, but he continued producing some of his most refined works.</li></ul><hr /><h2 id="style-and-themes-o9z70wwqh">Style and Themes</h2>Beardsley’s art is recognizable for its:<ul><li>Bold black-and-white contrasts</li><li>Exaggerated, elongated figures</li><li>Highly decorative, intricate patterns</li><li>Erotic, grotesque, and often macabre themes</li><li>Influences from Japanese woodblock prints and Symbolism</li></ul><h3 id="common-themes:-4jbcxg4pu">Common Themes:</h3><ol><li>Decadence &amp; Eroticism – Sensual, often scandalous depictions of mythological and literary figures.</li><li>Satire &amp; Grotesque Humor – Mocking Victorian morality, particularly in works like Lysistrata.</li><li>Death &amp; the Macabre – Themes of fate, doom, and surreal, dreamlike imagery.</li><li>Androgyny &amp; Gender Fluidity – His characters often blur traditional gender distinctions.</li></ol><hr /><h2 id="famous-works-wzt02esy9">Famous Works</h2><ol><li>Illustrations for Salomé (1894)<ul><li>Erotic and darkly surreal, defining the Decadent Movement.</li></ul></li><li>The Peacock Skirt (1894)<ul><li>One of his most famous pieces, inspired by Japanese prints and Wilde’s Salomé.</li></ul></li><li>Le Morte d’Arthur (1893–1894)<ul><li>His earliest major work, bringing a dark, intricate quality to medieval romance.</li></ul></li><li>The Climax (1894)<ul><li>A haunting image of Salomé holding the severed head of John the Baptist.</li></ul></li><li>Illustrations for Lysistrata (1896)<ul><li>Highly erotic and satirical drawings for Aristophanes’ play, scandalous in their time.</li></ul></li></ol><hr /><h2 id="death-and-legacy-vu8z12ai8">Death and Legacy</h2><ul><li>Beardsley converted to Catholicism before his death and requested that his erotic works be destroyed (though this was ignored).</li><li>Died on March 16, 1898, at age 25 in Menton, France, from tuberculosis.</li><li>His style influenced Art Nouveau, Symbolism, and modern graphic design, inspiring artists like Harry Clarke, Erté, and the psychedelic poster movement of the 1960s.</li><li>Today, he is regarded as one of the greatest illustrators of the Decadent era, with his works housed in major museums and collections worldwide.</li></ul><hr /><h3 id="conclusion-230m75fvn">Conclusion</h3>Aubrey Beardsley was a radical and controversial artist, blending eroticism, satire, and high aestheticism into a distinctive style. Though he lived only 25 years, his avant-garde, provocative illustrations revolutionized book illustration and continue to influence modern art, fashion, and design.

Golden Age of British Book Illustration: Aubrey Beardsley (Le Morte d'Arthur.)

This is epoch 10, the rest are here: tensor. art/models/823902189387816350/Aubrey-Beardsley-2-1024CapD6C5-2025-01-28-18:34:48-Ep-10FLUX.1 - dev-fp8Trigger: aubea1 illustrationRepeat: 20 Epoch: 10 (17 1024x1024 images for 3400 total steps)Unet LR: 0.0005Scheduler: cosine Optimizer: AdamWNetwork Dim: 6 Alpha: 3<ul><li>Epoch Loss</li><li>1 0.414</li><li>2 0.407</li><li>3 0.403</li><li>4 0.402</li><li>5 0.397</li><li>6 0.397</li><li>7 0.388</li><li>8 0.385</li><li>9 0.386</li><li>10 0.381 &lt;- lowest</li></ul>

Aubrey.Beardsley.training.set.ando.other.artworks.zip

aubea2_cap_d6a3.safetensors

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