<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>Dogma 1999</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>dgm1999</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"dgm1999, A group of protestors stands in a line on a sidewalk outside a brick building marked “WOMENS CLINIC,” holding handmade signs with anti-abortion messages such as “ABORTION IS WRONG” and “I WOULD HAVE TAKEN THAT SPERM!” The overcast sky casts soft, diffused light across the scene, suggesting a cloudy daytime setting. The palette is muted, dominated by grays, browns, and faded greens from the building and surrounding trees, with pops of red and black text on the signs. The camera captures the scene from a straight-on, eye-level perspective, framing the protestors and the clinic entrance in a wide shot that emphasizes the confrontation and the scale of the demonstration."</blockquote><blockquote>"dgm1999, three young people on inline skates stand on a wide, empty highway bridge, each holding a hockey stick, as if preparing for a game or a confrontation. The road stretches into the distance, flanked by dense green forests under a soft, diffused light that suggests early morning or late afternoon. Their clothing—hoodies, jackets, and plaid shirts—contrasts with the muted gray of the asphalt and the vibrant greens of the surrounding trees. The camera captures them from a low, slightly angled perspective, emphasizing the road’s length and the looming, dark silhouette of a figure or object partially visible on the right side of the frame."</blockquote><blockquote>"dgm1999, A person in motion, mid-stride, runs through a chaotic outdoor scene littered with debris, overturned furniture, and scattered personal belongings. Behind them, a white van is parked near a collapsed structure with a blue tarp and a yellow ladder, while smoke or dust hangs in the air, suggesting recent destruction. The lighting is diffused and muted, indicating an overcast or hazy day, with dominant earthy tones—browns, grays, and muted reds—contrasted by the white van and blue tarp. The camera is positioned at a low angle, framed through a partially obstructed doorway or archway, creating a sense of urgency and immersion in the disordered environment."</blockquote><blockquote>"dgm1999, A bloodied figure in a metallic vest stands at the threshold of a stone doorway, arms outstretched as if reaching toward or reacting to a bright, hazy light beyond. The scene is framed by weathered stone pillars, both stained with streaks of red, and a green flag is visible on the right. The lighting is stark, with a strong backlight creating a glowing haze that obscures the background, suggesting either dawn or dusk. Dominant colors are muted grays and browns of the stone, contrasted sharply by the vivid red of the blood and the bright white of the backlight. The camera is positioned at eye level, capturing the figure from behind and slightly to the side, emphasizing their isolation and the dramatic tension of the moment."</blockquote><blockquote>"dgm1999, A dense crowd of people, many holding cameras and microphones, gathers around a central figure who appears to be speaking or being interviewed, suggesting a press event or public announcement. The setting is outdoors, likely on a street or sidewalk, with white news vans visible in the background, one bearing the partial text “SECRET NEWS.” The lighting is even and diffused, indicating an overcast day, and the dominant colors are muted earth tones—browns, grays, and olive greens—with occasional pops of red from jackets. The camera is positioned at eye level, capturing the scene from within the crowd, creating an immersive, slightly chaotic perspective that emphasizes the density and focus of the gathering."</blockquote><blockquote>"dgm1999, A woman with dark, tousled hair and a white garment leans forward slightly, her gaze directed downward with a pensive or concerned expression, her lips slightly parted as if mid-sentence or in quiet contemplation. The background is dimly lit and out of focus, suggesting an interior space with muted, earthy tones and soft shadows, possibly a room with wooden or textured surfaces. The lighting is low and directional, casting gentle highlights on her face while leaving the periphery in darkness, indicating an evening or indoor setting with minimal ambient light. The dominant colors are deep browns, blacks, and the stark contrast of her white clothing, framed in a tight close-up that emphasizes her facial expression and emotional weight."</blockquote><blockquote>"dgm1999, A person lies in bed, propped up on pillows, stretching their arm upward with a relaxed posture, wearing a plaid shirt and covered by a light blue knit blanket. The room features a wooden headboard, a bookshelf filled with books and glassware in the background, and patterned curtains near a window that lets in soft, natural light, suggesting early morning or late afternoon. The dominant colors are earthy browns, muted greens, and the reds and grays of the plaid shirt, creating a calm, domestic atmosphere. The camera is positioned at a low angle, capturing the subject from the side with a shallow depth of field that blurs the background slightly, emphasizing the quiet intimacy of the moment."</blockquote><blockquote>"dgm1999, A man with a short beard and dark hair, wearing a brown jacket over a purple shirt, is captured in a close-up, looking off to the side with a focused, slightly concerned expression. The background is dark and out of focus, suggesting an outdoor nighttime setting with faint greenery visible. The lighting is low-key and directional, illuminating his face from the front-left, casting shadows that emphasize his facial features. Dominant colors are deep browns, muted purples, and black, with white text appearing on the right side of the frame. The camera is tightly framed on his upper torso and face, angled slightly from below to capture his intense gaze."</blockquote><blockquote>"dgm1999, A chaotic, blurred scene captures a figure in motion, possibly falling or being thrown, with limbs and clothing streaked across the frame, suggesting rapid movement or impact. The setting appears to be an outdoor, dusty or sandy environment, with indistinct shapes and debris scattered around, hinting at a ruined or battle-scarred landscape. The lighting is harsh and diffused, casting a washed-out, overexposed glow that suggests midday sun filtering through haze or smoke, with dominant colors of pale gray, muted reds, and earthy browns. The camera is positioned at a low, tilted angle, emphasizing disorientation and motion blur, creating a visceral sense of urgency and turmoil."</blockquote><blockquote>"dgm1999, A man in armor, his eyes closed and expression solemn, cradles a small, blood-stained white bird in his arms while another person leans close beside him. The setting appears to be outdoors, with blurred wooden and stone structures in the background, suggesting a rustic or ancient environment. Soft, natural daylight illuminates the scene, casting gentle shadows and highlighting the contrast between the metallic sheen of the armor and the stark red of the blood. The dominant colors are muted earth tones, silver, and the vivid crimson of the blood against the white feathers. The camera frames the moment tightly in a close-up, focusing on the man’s face and the bird, emphasizing the emotional weight and intimacy of the gesture."</blockquote><blockquote>"dgm1999, A group of people stands amid scattered debris and overturned chairs in a sunlit urban courtyard, some appearing to survey the scene while others are seated nearby. A white news van with “KBSS 3 NEWS” branding is parked in the background, alongside a dark sedan with equipment mounted on its roof, suggesting a media presence at the site. The scene is framed through a dark metal fence in the foreground, casting vertical bars across the view, and bathed in bright, natural daylight that highlights the contrast between the shadowed fence and the sun-drenched ground. Dominant colors include the muted browns and grays of clothing and pavement, punctuated by the red jacket of one individual and the white of the van and chairs. The camera is positioned at a low, slightly angled perspective, emphasizing the"</blockquote><blockquote>"dgm1999, two women are walking forward through a makeshift outdoor stage area, one carrying a long pole and the other holding a cane, both appearing focused and purposeful. The setting is a dusty, urban lot with scattered equipment, including a large blue tarp draped over a frame, white folding chairs, and a yellow school bus visible in the background. The lighting is bright and direct, suggesting midday sun casting sharp shadows, while smoke or haze drifts near the ground, adding a sense of urgency or aftermath. Dominant colors are earthy browns and grays, contrasted by the vivid blue of the tarp and the yellow of the bus. The camera is positioned at a low, slightly angled perspective, capturing the scene in a wide shot that emphasizes the spatial disarray and the movement of the"</blockquote><blockquote>"dgm1999, A person is captured mid-motion, their face blurred by rapid movement as they appear to be recoiling or being thrown backward, with their arms flailing and mouth open in a cry or gasp. The background is dominated by the dense, leafy canopy of a large tree, with glimpses of sky visible through the branches, suggesting an outdoor setting. The lighting is soft and diffused, likely late afternoon or early evening, casting muted tones over the scene. The dominant colors are deep greens from the foliage, contrasted with the pale skin tones of the person and a hint of a light-colored garment at the bottom edge. The camera is positioned at a low angle, looking upward, emphasizing the motion and the looming tree above."</blockquote><blockquote>"dgm1999, An ornate, vaulted ceiling with a radial fanlight design dominates the frame, its segmented panels featuring stained glass in shades of green and amber, framed by intricate white molding. Below, a decorative cornice with repeating sculptural motifs runs horizontally, punctuated by recessed spotlights casting a warm glow. The scene is lit by artificial illumination, suggesting an interior space at night or in low natural light, with dominant colors of cream, gold, and deep brown creating a rich, classical atmosphere. The camera is angled upward from below, emphasizing the grandeur and architectural symmetry of the ceiling’s curvature and detailed ornamentation."</blockquote><blockquote>"dgm1999, A person stands atop the central gable of a grand stone church, positioned between two towering spires crowned with crosses, appearing to survey the sky. The church’s Gothic architecture features pointed arches, ornate stonework, and tall, narrow windows, all rendered in warm beige and brown tones under a pale blue sky with scattered white clouds. The low-angle shot emphasizes the verticality of the structure, with the sun casting soft, diffused light that highlights the texture of the stone and the silhouette of the figure against the bright sky."</blockquote><blockquote>"dgm1999, A thick, viscous mass of dark brown, glossy substance dominates the frame, its uneven surface glistening with wet sheen and textured with folds and ridges that suggest movement or recent disturbance. The setting appears to be a dim, enclosed space with rough, earthy walls visible in the background, hinting at a confined, possibly subterranean environment. The lighting is low and directional, casting deep shadows that accentuate the substance’s contours and create a moody, ominous atmosphere, suggesting either nighttime or an artificially lit, underground location. The dominant color is a rich, saturated brown, punctuated by darker shadows and subtle highlights that catch the light on the wet surface. The camera is positioned at a close, slightly angled perspective, emphasizing the tactile, almost organic texture of the mass and imm"</blockquote><blockquote>"dgm1999, A young person with short, light brown hair and a focused expression looks downward, their mouth slightly parted as if mid-sentence or in thought, wearing a gray hooded jacket over a maroon t-shirt. The background is a muted, neutral-toned interior wall, suggesting a domestic or institutional setting, with no other objects or people visible. The lighting is soft and even, casting gentle shadows on the face and clothing, indicating an indoor scene during daytime or under artificial light. Dominant colors are muted grays, maroon, and skin tones, creating a subdued, grounded palette. The camera frames the subject in a tight close-up, angled slightly from below, emphasizing their facial expression and emotional intensity."</blockquote><blockquote>"dgm1999, A man with long hair, a beard, and a white baseball cap worn backward stares with wide, startled eyes, his mouth slightly agape as if reacting to something unexpected. He’s seated indoors in a dimly lit, wood-paneled room that resembles a bar or diner, with a green exit sign visible in the background and a dark countertop behind him. The lighting is low and focused, casting shadows on his face and emphasizing the intensity of his expression, suggesting an evening or nighttime setting. Dominant colors are muted browns, dark greens, and the stark white of his cap, contrasted by the green glow of the sign. The camera frames him in a tight close-up, centered on his face to amplify the emotional impact of his reaction."</blockquote><blockquote>"dgm1999, two individuals are ascending a wide set of reddish-brown stone steps leading to a modern glass-and-steel building, their backs to the camera as they move toward the entrance. The structure features large reflective windows and dark structural columns, with a visible sign reading “Mooby Corporation” on a low wall to the right. The lighting is dim and cool, suggesting late afternoon or early evening under an overcast sky, casting soft shadows and reflecting muted tones of gray and blue in the glass. The dominant colors are dark browns, grays, and muted blues, with the reddish steps providing a grounding contrast. The camera is positioned at a low angle, capturing the subjects from behind as they climb, emphasizing the scale of the building and the upward motion."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 216 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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